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Hollywood at the Intersection of Race and Identity.

By: Contributor(s): Material type: TextTextPublisher: New Brunswick : Rutgers University Press, 2019Copyright date: ©2020Edition: 1st edDescription: 1 online resource (371 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813599359
Genre/Form: Additional physical formats: Print version:: Hollywood at the Intersection of Race and IdentityDDC classification:
  • 791.43/653
LOC classification:
  • PN1995
Online resources:
Contents:
Cover -- Title Page -- Copyright -- Dedication -- Contents -- Introduction -- Part I. Hollywood Formulas: Codes, Masks, Genre, and Minstrelsy -- 1. Daydreams of Society: Class and Gender Performances in the Cinema of the Late 1910s -- 2. The Death of Lon Chaney: Masculinity, Race, and the Authenticity of Disguise -- 3. MGM's Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936) -- 4. Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937) -- Part II. Genre and Race in Classical Hollywood -- 5. "A Queer, Strangled Look": Race, Gender, and Morality in The Ox-Bow Incident (1943) -- 6. By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell -- 7. Disruptive Mother-Daughter Relationships: Peola's Racial Masquerade in Imitation of Life (1934) and Stella's Class Masquerade in Stella Dallas (1937) -- 8. The Egotistical Sublime: Film Noir and Whiteness -- Part III. Race and Ethnicity in Post-World War II Hollywood -- 9. Women and Class Mobility in Classical Hollywood's Immigrant Dramas -- 10. Hawai'i Statehood, Indigeneity, and Go for Broke! (1951) -- 11. Savage Whiteness: The Dialectic of Racial Desire in The Young Savages (1961) -- 12. Rita Moreno's Hair -- Part IV. Intersectionality, Hollywood, and Contemporary Popular Culture -- 13. "Everything Glee in 'America' ": Context, Race, and Identity Politics in the Glee (2009-2015) Appropriation of West Side Story (1961) -- 14. Hip-Hop "Hearts" Ballet: Utopic Multiculturalism and the Step Up Dance Films (2006, 2008, 2010) -- 15. Fakin' da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American Hood Film.
16. "Let Us Roam the Night Together": On Articulation and Representation in Moonlight (2016) and Tongues Untied (1989) -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index.
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Cover -- Title Page -- Copyright -- Dedication -- Contents -- Introduction -- Part I. Hollywood Formulas: Codes, Masks, Genre, and Minstrelsy -- 1. Daydreams of Society: Class and Gender Performances in the Cinema of the Late 1910s -- 2. The Death of Lon Chaney: Masculinity, Race, and the Authenticity of Disguise -- 3. MGM's Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936) -- 4. Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937) -- Part II. Genre and Race in Classical Hollywood -- 5. "A Queer, Strangled Look": Race, Gender, and Morality in The Ox-Bow Incident (1943) -- 6. By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell -- 7. Disruptive Mother-Daughter Relationships: Peola's Racial Masquerade in Imitation of Life (1934) and Stella's Class Masquerade in Stella Dallas (1937) -- 8. The Egotistical Sublime: Film Noir and Whiteness -- Part III. Race and Ethnicity in Post-World War II Hollywood -- 9. Women and Class Mobility in Classical Hollywood's Immigrant Dramas -- 10. Hawai'i Statehood, Indigeneity, and Go for Broke! (1951) -- 11. Savage Whiteness: The Dialectic of Racial Desire in The Young Savages (1961) -- 12. Rita Moreno's Hair -- Part IV. Intersectionality, Hollywood, and Contemporary Popular Culture -- 13. "Everything Glee in 'America' ": Context, Race, and Identity Politics in the Glee (2009-2015) Appropriation of West Side Story (1961) -- 14. Hip-Hop "Hearts" Ballet: Utopic Multiculturalism and the Step Up Dance Films (2006, 2008, 2010) -- 15. Fakin' da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American Hood Film.

16. "Let Us Roam the Night Together": On Articulation and Representation in Moonlight (2016) and Tongues Untied (1989) -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index.

No detailed description available for "Hollywood at the Intersection of Race and Identity".

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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