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Adaptations : Some Journeys from Words to Visuals.

By: Contributor(s): Material type: TextTextPublisher: Newcastle-upon-Tyne : Cambridge Scholars Publishing, 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (194 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781443884099
Subject(s): Genre/Form: Additional physical formats: Print version:: AdaptationsDDC classification:
  • 791.43091723999999
LOC classification:
  • PN1993.5.I8 -- .A337 2015eb
Online resources:
Contents:
Intro -- Contents -- Preface and Acknowledgements -- Contributors -- Introduction -- Part I -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Chapter Six -- Chapter Seven -- Part II -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Bibliography -- Index.
Summary: This book invites readers to immerse themselves in the fantastic journey of written text to the screen. It is divided into two parts, the first of which broadly focuses on cinematic adaptations based on Indian literary texts. The second section explores the adaptations of literary works from other countries. In the world of Indian cinema, the first full-length Indian feature film, Raja Harishchandra, was based on a legend mentioned in Indian holy scriptures. Since then, several literary texts have been filmed, and this process has become a popular phenomenon. The recent film by Vishal Bhardwaj, Haider, an adaptation of William Shakespeare's Hamlet, has raised the expectations of lovers of this symbiotic relationship between literature and film. This book engages with issues like 'fidelity' and 'intertextuality' in the works of Tagore, Satyajit Ray, Khushwant Singh, Vishal Bhardwaj, RK Narayan, as well as other authors and directors from India and other parts of the world.
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Intro -- Contents -- Preface and Acknowledgements -- Contributors -- Introduction -- Part I -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Chapter Six -- Chapter Seven -- Part II -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Bibliography -- Index.

This book invites readers to immerse themselves in the fantastic journey of written text to the screen. It is divided into two parts, the first of which broadly focuses on cinematic adaptations based on Indian literary texts. The second section explores the adaptations of literary works from other countries. In the world of Indian cinema, the first full-length Indian feature film, Raja Harishchandra, was based on a legend mentioned in Indian holy scriptures. Since then, several literary texts have been filmed, and this process has become a popular phenomenon. The recent film by Vishal Bhardwaj, Haider, an adaptation of William Shakespeare's Hamlet, has raised the expectations of lovers of this symbiotic relationship between literature and film. This book engages with issues like 'fidelity' and 'intertextuality' in the works of Tagore, Satyajit Ray, Khushwant Singh, Vishal Bhardwaj, RK Narayan, as well as other authors and directors from India and other parts of the world.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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