ORPP logo
Image from Google Jackets

Tracing the Visual Language of Raphael's Circle To 1527.

By: Material type: TextTextSeries: Brill's Studies in Intellectual History SeriesPublisher: Boston : BRILL, 2020Copyright date: ©2020Edition: 1st edDescription: 1 online resource (238 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004430488
Subject(s): Genre/Form: Additional physical formats: Print version:: Tracing the Visual Language of Raphael's Circle To 1527LOC classification:
  • ND623.R2 .R385 2020
Online resources:
Contents:
Intro -- ‎Contents -- ‎Acknowledgements -- ‎Illustrations -- ‎Introduction -- ‎1. Reclaiming Raphael's Workshop -- ‎2. Mechanics of a Visual Language: Imitation/Emulation/Repetition/Recombination -- ‎3. Recombination in Light of Competition and Collaboration -- ‎4. Revisiting Recombination within the Workshop -- ‎5. Continuing the Conversation -- ‎Chapter 1. Origins of a Visual Language -- ‎1. The Prevalent Language of the Classical -- ‎2. The Visual Language of the Papacy -- ‎3. The Visual Language of Raphael -- ‎4. The Language of Recombination in the Stanza della Segnatura -- ‎Chapter 2. Visual Language through the Lens of Competition at the Villa Farnesina -- ‎1. Commissions from Agostino Chigi -- ‎2. Raphael, Sebastiano, and Competition -- ‎Chapter 3. Collaborative Practice and Emerging Workshop Mentalities -- ‎1. Partnering with Peruzzi -- ‎2. Raphael's Workshop Takes Form -- ‎3. The Capstone of Chigi's Villa -- ‎4. The Stanza dell'Incendio -- ‎5. The Vatican Loggie -- ‎6. Sala di Costantino -- ‎7. Beyond the Vatican -- ‎Chapter 4. Giovanni da Udine, Perino, and Polidoro da Caravaggio at the Palazzo Baldassini -- ‎1. Melchiorre Baldassini (1470-1522) -- ‎2. Sangallo's Designs -- ‎3. Giovanni da Udine and the Quotation of Antiquity -- ‎4. Perino del Vaga, Polidoro da Caravaggio, and the Piano Nobile -- ‎Chapter 5. Romano, Penni, and Polidoro at the Villa Lante al Gianicolo -- ‎1. Baldassarre Turini (1486-1543) -- ‎2. A Challenge of Attribution and Dating -- ‎3. Romano's Designs -- ‎4. The Adjacent Sale -- ‎5. The Grand Salone -- ‎Chapter 6. The Fetti Chapel -- ‎1. Fra Mariano Fetti (d. 1531) -- ‎2. A Complicated History -- ‎3. Peruzzi, Polidoro, and Painted Illusion -- ‎4. Illusions of Landscape in the Fetti Chapel -- ‎Chapter 7. Santa Maria della Pace and a Pastiche by Peruzzi -- ‎1. Filippo Sergardi (1466-1541) -- ‎2. A Pastiche of Figures.
‎3. A Pastiche of Architecture -- ‎Epilogue -- ‎Bibliography -- ‎Index.
Summary: Alexis R. Culotta explores how the Renaissance master's recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphael's death.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Intro -- ‎Contents -- ‎Acknowledgements -- ‎Illustrations -- ‎Introduction -- ‎1. Reclaiming Raphael's Workshop -- ‎2. Mechanics of a Visual Language: Imitation/Emulation/Repetition/Recombination -- ‎3. Recombination in Light of Competition and Collaboration -- ‎4. Revisiting Recombination within the Workshop -- ‎5. Continuing the Conversation -- ‎Chapter 1. Origins of a Visual Language -- ‎1. The Prevalent Language of the Classical -- ‎2. The Visual Language of the Papacy -- ‎3. The Visual Language of Raphael -- ‎4. The Language of Recombination in the Stanza della Segnatura -- ‎Chapter 2. Visual Language through the Lens of Competition at the Villa Farnesina -- ‎1. Commissions from Agostino Chigi -- ‎2. Raphael, Sebastiano, and Competition -- ‎Chapter 3. Collaborative Practice and Emerging Workshop Mentalities -- ‎1. Partnering with Peruzzi -- ‎2. Raphael's Workshop Takes Form -- ‎3. The Capstone of Chigi's Villa -- ‎4. The Stanza dell'Incendio -- ‎5. The Vatican Loggie -- ‎6. Sala di Costantino -- ‎7. Beyond the Vatican -- ‎Chapter 4. Giovanni da Udine, Perino, and Polidoro da Caravaggio at the Palazzo Baldassini -- ‎1. Melchiorre Baldassini (1470-1522) -- ‎2. Sangallo's Designs -- ‎3. Giovanni da Udine and the Quotation of Antiquity -- ‎4. Perino del Vaga, Polidoro da Caravaggio, and the Piano Nobile -- ‎Chapter 5. Romano, Penni, and Polidoro at the Villa Lante al Gianicolo -- ‎1. Baldassarre Turini (1486-1543) -- ‎2. A Challenge of Attribution and Dating -- ‎3. Romano's Designs -- ‎4. The Adjacent Sale -- ‎5. The Grand Salone -- ‎Chapter 6. The Fetti Chapel -- ‎1. Fra Mariano Fetti (d. 1531) -- ‎2. A Complicated History -- ‎3. Peruzzi, Polidoro, and Painted Illusion -- ‎4. Illusions of Landscape in the Fetti Chapel -- ‎Chapter 7. Santa Maria della Pace and a Pastiche by Peruzzi -- ‎1. Filippo Sergardi (1466-1541) -- ‎2. A Pastiche of Figures.

‎3. A Pastiche of Architecture -- ‎Epilogue -- ‎Bibliography -- ‎Index.

Alexis R. Culotta explores how the Renaissance master's recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphael's death.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

to post a comment.

© 2024 Resource Centre. All rights reserved.