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Dreamscapes in Italian Cinema.

By: Contributor(s): Material type: TextTextPublisher: Blue Ridge Summit : Fairleigh Dickinson University Press, 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (207 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781611477825
Subject(s): Genre/Form: Additional physical formats: Print version:: Dreamscapes in Italian CinemaDDC classification:
  • 791.43/653
LOC classification:
  • PN1995.9.D67 -- D84 2015eb
Online resources:
Contents:
Intro -- Contents -- Acknowledgments -- Introduction -- Chapter One: Dreamed Cinema, Cinematic Dreams -- Chapter Two: The Uncanny and Mannequins -- Chapter Three: Massimo Fagioli's Influence and Psychoanalysis in Marco Bellocchio's Il diavolo in corpo -- Chapter Four: The Visionary Realism of Marco Bellocchio's Buongiorno, notte -- Chapter Five: The Ironic Oneiric -- Chapter Six: Life is but a Dream -- Chapter Seven: Sublimation, Myth, and the Work of Dreams -- Chapter Eight: The Cinedream in Pasolini and Cassavetes -- Chapter Nine: Gradivae and Nymphs -- Chapter Ten: Dreams, Nightmares, and Hallucinations in Francesca Comencini's Cinema -- Chapter Eleven: The Nightmarish in Dario Argento's Mother Trilogy -- Index -- About the Contributors.
Summary: This book explores the oneiric in Italian cinema from filmic representations and visualizations of dreams, nightmares, hallucinations, and dream-like and hypnotic states, to dreams as cinematic allegories and metaphors and the theoretical frameworks applied to the investigation of this relationship.
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Intro -- Contents -- Acknowledgments -- Introduction -- Chapter One: Dreamed Cinema, Cinematic Dreams -- Chapter Two: The Uncanny and Mannequins -- Chapter Three: Massimo Fagioli's Influence and Psychoanalysis in Marco Bellocchio's Il diavolo in corpo -- Chapter Four: The Visionary Realism of Marco Bellocchio's Buongiorno, notte -- Chapter Five: The Ironic Oneiric -- Chapter Six: Life is but a Dream -- Chapter Seven: Sublimation, Myth, and the Work of Dreams -- Chapter Eight: The Cinedream in Pasolini and Cassavetes -- Chapter Nine: Gradivae and Nymphs -- Chapter Ten: Dreams, Nightmares, and Hallucinations in Francesca Comencini's Cinema -- Chapter Eleven: The Nightmarish in Dario Argento's Mother Trilogy -- Index -- About the Contributors.

This book explores the oneiric in Italian cinema from filmic representations and visualizations of dreams, nightmares, hallucinations, and dream-like and hypnotic states, to dreams as cinematic allegories and metaphors and the theoretical frameworks applied to the investigation of this relationship.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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