Sex, Gender, and Sexualities in Edward Albee's Plays.

Intro -- Sex, Gender, and Sexualities in Edward Albee's Plays -- Copyright -- Contents -- Notes on Contributors -- Editors' Introduction -- 1 Dismembering/Remembering: Dramatizing the Family in The American Dream -- 2 The Gay Geography of New York City in The Zoo Story -- 3 Revisiting the Zoo: Time and Gender in Edward Albee's At Home at the Zoo -- 4 "The Aims of Spirit": Performing Marriage in Albee's Plays -- 5 Collateral Damage: Raising and Destroying [Gay?] Sons in Albee's Plays -- 6 A Body of One's Own: Martha's Performative Physicality in Who's Afraid of Virginia Woolf? -- 7 The Uncrossable Line: Reading Martha as Transgender in Who's Afraid of Virginia Woolf? -- 8 The Tragic (Male) Hero in the Wake of the New Millennium: Upturning Gender and Sexuality in The Goat, or Who Is Sylvia? -- 9 "Do you want it?" The Commodification of Sexuality in the Late Plays of Edward Albee -- 10 Malcolm, Sexual Politics, Edward Albee's Adaptations -- 11 "A wet run, so to speak": Sex and Sexuality in Edward Albee's Lolita -- Bibliography -- Index.

Sex, Gender, and Sexualities in the Plays of Edward Albee contains a general introduction and eleven essays by American and European Albee scholars on Albee's depictions of gender relations, sexual relations, monogamy, child-rearing, and homosexuality.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.