Exhibiting the German Past : Museums, Film, and Musealization.

Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 The "Museal Gaze" and "Civic Seeing": City, Film, and Museum in Wim Wenders's Der Himmel über Berlin -- 2 Refracted Memory: Museums, Film, and Visual Culture in Urban Space -- 3 Nikolaus Geyrhalter's Unser täglich Brot: Preservation, the Food Industry, and the Interrogation of Visual Evidence -- 4 The Concealed Curator: Constructed Authenticity in Uli Edel's Der Baader-Meinhof Komplex -- 5 Remembering and Historicizing Socialism: The Private and Amateur Musealization of East Germany's Everyday Life -- 6 Object Lessons: Visuality and Tactility in Museums of the Socialist Everyday -- 7 Historical Museum Meets Docu-Drama: The Recipient's Experiential Involvement in the Second World War -- 8 Framing the Past: Visual Musealizations of the Nazi Past in Harlan - Im Schatten von Jud Süß and Jud Süß - Film ohne Gewissen -- 9 Moving Statues: Arthur Grimm, The Entartete Kunst Exhibition, and Installation Photography as Standfotografie -- 10 "In a Hundred Years of Cinema …": History and Musealization in Harun Farocki's Arbeiter verlassen die Fabrik in elf Jahrzehnten -- 11 Sex on Display: Sexual Science and the Exhibition PopSex! -- 12 Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek - Museum für Film und Fernsehen -- Bibliography -- List of Contributors -- Index.

Featuring a wide range of valuable case studies, Exhibiting the German Pastoffers a unique perspective on the developing relationship between museums and visual media.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.