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Theory and Method in Historical Ethnomusicology.

By: Contributor(s): Material type: TextTextPublisher: Blue Ridge Summit : Lexington Books/Fortress Academic, 2014Copyright date: ©2014Edition: 1st edDescription: 1 online resource (431 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781498507059
Subject(s): Genre/Form: Additional physical formats: Print version:: Theory and Method in Historical EthnomusicologyDDC classification:
  • 780.89
LOC classification:
  • ML3798 -- .T54 2014eb
Online resources:
Contents:
Theory and Method in Historical Ethnomusicology -- Contents -- Foreword: The Past is No Longer a Foreign Country -- Acknowledgments -- Chapter 1 Foundations of Historical Ethnomusicology -- Chapter 2 Methodologies for Historical Ethnomusicology in the Twenty-First Century -- Chapter 3 Philosophy of History and Theory in Historical Ethnomusicology -- Chapter 4 Hearing Echoes, Sensing History: The Challenges of Musical Diasporas -- Chapter 5 Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in Historical Ethnomusicology -- Chapter 6 Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth through Early Twentieth Centuries -- Chapter 7 Southern American Fiddling through the Mid-Nineteenth Century: Three Snapshots -- Chapter 8 A Tale of Two Sensibilities: Hindustani Music and its Histories -- Chapter 9 The Legacy of Music Archives in Historical Ethnomusicology: A Model for Engaged Ethnomusicology -- Chapter 10 Contested Contextualization: The Historical Constructions of East Asian Music -- Chapter 11 Advancing Historical Ethnomusicology -- Name Index -- Subject Index -- About the Contributors.
Summary: Theory and Method in Historical Ethnomusicology demonstrates various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space.
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Theory and Method in Historical Ethnomusicology -- Contents -- Foreword: The Past is No Longer a Foreign Country -- Acknowledgments -- Chapter 1 Foundations of Historical Ethnomusicology -- Chapter 2 Methodologies for Historical Ethnomusicology in the Twenty-First Century -- Chapter 3 Philosophy of History and Theory in Historical Ethnomusicology -- Chapter 4 Hearing Echoes, Sensing History: The Challenges of Musical Diasporas -- Chapter 5 Ancient Music, Modern Myth: Persian Music and the Pursuit of Methodology in Historical Ethnomusicology -- Chapter 6 Analysis of Notation in Music Historiography: Armenian Neumatic Khaz from the Ninth through Early Twentieth Centuries -- Chapter 7 Southern American Fiddling through the Mid-Nineteenth Century: Three Snapshots -- Chapter 8 A Tale of Two Sensibilities: Hindustani Music and its Histories -- Chapter 9 The Legacy of Music Archives in Historical Ethnomusicology: A Model for Engaged Ethnomusicology -- Chapter 10 Contested Contextualization: The Historical Constructions of East Asian Music -- Chapter 11 Advancing Historical Ethnomusicology -- Name Index -- Subject Index -- About the Contributors.

Theory and Method in Historical Ethnomusicology demonstrates various ways that new approaches to historiography--and the related application of new technologies--impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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