Joyce/Lowry : Critical Perspectives.

Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- A Note on References -- Introduction -- 1 Midsummer Madness and the Day of the Dead: Joyce, Lowry, and Expressionism -- DISTANT VOICES -- Notes -- Works Cited -- 2 Clown Meets Cops: Comedy and Paranoia in Under the Volcano and Ulysses -- Works Cited -- 3 "Well, of course, if we knew all the things": Coincidence and Design in Ulysses and Under the Volcano -- Notes -- Works Cited -- 4 Ulysses and Under the Volcano: The Difficulty of Loving -- Notes -- Works Cited -- 5 Nationalism at the Bar: Anti-Semitism in Ulysses and Under theVolcano -- Notes -- Untitled -- 6 The Construction of Femininity in Ulysses and Under the Volcano: A Bakhtinian Analysis of the Late Draft Versions -- Notes -- Works Cited -- 7 A Portrait of the Artist as a Young Man and Ultramarine: Two Exercises in Identification -- Notes -- Works Cited -- 8 Syphilisation and Its Discontents: Somatic Indications of Psychological Ills in Joyce and Lowry -- The Body as Literal Figure -- The Body as Rhetorical Figure -- Notes -- Works Cited -- 9 The World as Book, the Book as Machine: Art and Life in Joyce and Lowry -- Works Cited -- 10 Literary Modernism and Cinema: Two Approaches -- Works Cited -- 11 The Filmmaker as Critic: Huston's Under the Volcano and The Dead -- Huston's Films -- Filming Joyce -- Filming Lowry -- Works Cited -- Contributors -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.