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Portraying the Prince in the Renaissance : The Humanist Depiction of Rulers in Historiographical and Biographical Texts.

By: Contributor(s): Material type: TextTextSeries: Transformationen der Antike SeriesPublisher: Berlin/Boston : Walter de Gruyter GmbH, 2016Copyright date: ©2016Edition: 1st edDescription: 1 online resource (504 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783110473377
Subject(s): Genre/Form: Additional physical formats: Print version:: Portraying the Prince in the RenaissanceDDC classification:
  • 940.2
LOC classification:
  • PN671 -- .P678 2016eb
Online resources:
Contents:
Intro -- Contents -- Introduction -- I. Virtues -- Der Herrscher und die gute Ordnung. Das Bild Karls VII. in der französischen Historiographie am Übergang von der tradierten zur humanistisch geprägten Historiographie -- Charlemagne am Renaissancehof. Die Darstellung Karls des Großen in Paolo Emilios De rebus gestis Francorum -- Guter König, schlechter König? Die Darstellung Heinrichs V. und Heinrichs VI. von England in Polydor Vergils Anglica historia -- Alfonso ›the Magnanimous‹ of Naples as Portrayed by Facio and Panormita: Four Versions of Emulation, Representation, and Virtue -- II. Cultural and Political Pretensions -- Illyrian Trojans in a Turkish Storm: Croatian Renaissance Lords and the Politics of Dynastic Origin Myths -- Personelle Serialität und nationale Geschichte. Überlegungen zu den Herrschergestalten in Franciscus Irenicus' Germaniae Exegesis -- Riccardo Bartolinis Austrias (1516) oder: Wie ein Herrscher zum Feldherrn gegen die Türken wird -- III. Models Ancient, Medieval, and Modern -- Der Herrscher als zweiter Salomo. Zum Bild König Roberts von Anjou in der Renaissance -- Pier Candido Decembrio and the Suetonian Path to Princely Biography -- Die Cosmias des Giovanni Mario Filelfo (1426-1480) -- Einhard reloaded. Francesco Tedeschini Piccolomini, Hilarion aus Verona, Donato Acciaiuoli und die Karlsbiographik im italienischen Renaissance-Humanismus -- Auf den Spuren Paolo Giovios? Herrscherdarstellung in Jacobus Sluperius' Elogia virorum bellica laude illustrium -- IV. Method -- Princes between Lorenzo Valla and Bartolomeo Facio -- Juan Páez de Castro, Charles V, and a Method for Royal Historiography -- Picturing the Perfect Patron? Francesco Filelfo's Image of Francesco Sforza -- Verbis phucare tyrannos? Selbstanspruch und Leistungsspektren von zeithistorischer Epik als panegyrischem Medium im 15. Jahrhundert.
V. Critical Summary -- The Description Makes the Prince: Princely Portrayal from the Perspective of Transformation Theory -- Indices -- Index of Names -- Index of Places -- List of Contributors.
Summary: Although Antiquity itself has been intensively researched, together with its reception, to date this has largely happened in a compartmentalized fashion. This series presents for the first time an interdisciplinary contextualization of the productive acquisitions and transformations of the arts and sciences of Antiquity in the slow process of the European societies constructing a scientific system and their own cultural identity, a process which started in the Middle Ages and has continued up to the Modern Age. The series is a product of work in the Collaborative Research Centre "Transformations of Antiquity" and the "August Boeckh Centre of Antiquity" at the Humboldt University of Berlin. Their individual projects examine transformational processes on three levels in particular - the constitutive function of Antiquity in the formation of the European knowledge society, the role of Antiquity in the genesis of modern cultural identities and self-constructions, and the forms of reception in art, literature, translation and media. * new transdisciplinary series * the editors are prominent professors from different disciplines at the Humboldt University of Berlin * strengthens de Gruyter's profile in Classical Studies, Medieval Studies, Intellectual History.
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Intro -- Contents -- Introduction -- I. Virtues -- Der Herrscher und die gute Ordnung. Das Bild Karls VII. in der französischen Historiographie am Übergang von der tradierten zur humanistisch geprägten Historiographie -- Charlemagne am Renaissancehof. Die Darstellung Karls des Großen in Paolo Emilios De rebus gestis Francorum -- Guter König, schlechter König? Die Darstellung Heinrichs V. und Heinrichs VI. von England in Polydor Vergils Anglica historia -- Alfonso ›the Magnanimous‹ of Naples as Portrayed by Facio and Panormita: Four Versions of Emulation, Representation, and Virtue -- II. Cultural and Political Pretensions -- Illyrian Trojans in a Turkish Storm: Croatian Renaissance Lords and the Politics of Dynastic Origin Myths -- Personelle Serialität und nationale Geschichte. Überlegungen zu den Herrschergestalten in Franciscus Irenicus' Germaniae Exegesis -- Riccardo Bartolinis Austrias (1516) oder: Wie ein Herrscher zum Feldherrn gegen die Türken wird -- III. Models Ancient, Medieval, and Modern -- Der Herrscher als zweiter Salomo. Zum Bild König Roberts von Anjou in der Renaissance -- Pier Candido Decembrio and the Suetonian Path to Princely Biography -- Die Cosmias des Giovanni Mario Filelfo (1426-1480) -- Einhard reloaded. Francesco Tedeschini Piccolomini, Hilarion aus Verona, Donato Acciaiuoli und die Karlsbiographik im italienischen Renaissance-Humanismus -- Auf den Spuren Paolo Giovios? Herrscherdarstellung in Jacobus Sluperius' Elogia virorum bellica laude illustrium -- IV. Method -- Princes between Lorenzo Valla and Bartolomeo Facio -- Juan Páez de Castro, Charles V, and a Method for Royal Historiography -- Picturing the Perfect Patron? Francesco Filelfo's Image of Francesco Sforza -- Verbis phucare tyrannos? Selbstanspruch und Leistungsspektren von zeithistorischer Epik als panegyrischem Medium im 15. Jahrhundert.

V. Critical Summary -- The Description Makes the Prince: Princely Portrayal from the Perspective of Transformation Theory -- Indices -- Index of Names -- Index of Places -- List of Contributors.

Although Antiquity itself has been intensively researched, together with its reception, to date this has largely happened in a compartmentalized fashion. This series presents for the first time an interdisciplinary contextualization of the productive acquisitions and transformations of the arts and sciences of Antiquity in the slow process of the European societies constructing a scientific system and their own cultural identity, a process which started in the Middle Ages and has continued up to the Modern Age. The series is a product of work in the Collaborative Research Centre "Transformations of Antiquity" and the "August Boeckh Centre of Antiquity" at the Humboldt University of Berlin. Their individual projects examine transformational processes on three levels in particular - the constitutive function of Antiquity in the formation of the European knowledge society, the role of Antiquity in the genesis of modern cultural identities and self-constructions, and the forms of reception in art, literature, translation and media. * new transdisciplinary series * the editors are prominent professors from different disciplines at the Humboldt University of Berlin * strengthens de Gruyter's profile in Classical Studies, Medieval Studies, Intellectual History.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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