Indigenous Pop : Native American Music from Jazz to Hip Hop.

Intro -- Contents -- Acknowledgments -- Introduction -- 1. Joe Shunatona and the United States Indian Reservation Orchestra - John W. Troutman -- 2. American Indian Jazz: Mildred Bailey and the Origins of America's Most Musical Art Form - Chad Hamill -- 3. Jazz and the Politics of Identity: The Spirit of Jim Pepper - Bill Siegel -- 4. Singing for the People: The Protest Music of Buffy Sainte-Marie and Floyd Westerman - Kimberli Lee -- 5. Brothers of the Blade: Three Native Axmen: Link Wray, Robbie Robertson, and Jesse Ed Davis - Scott Prinzing -- 6. "We Were All Wounded at Wounded Knee": The Engaged Resistance of Folk and Rock in the Red Power Era - Jan Johnson -- 7. "We'll Get There with Music": Sonic Literacies, Rhetorics of Alliance, and Decolonial Healing in Joy Harjo's Winding Through the Milky Way - Gabriela Raquel Rios -- 8. Hearing the Heartbeat: Environmental Cultural Values in the Lyrics of Native Songwriters - Samantha Hasek and April E. Lindala -- 9. "The Story of a Lifetime": Singing, Crossing, and Claiming in Lila Downs's "Minimum Wage" - Casie C. Cobos -- 10. Babylon Inna Hopiland: Articulations of Tradition and Social Injustice by the Hopi Reggae Musician Casper Loma-da-wa Lomayesva - David S. Walsh -- 11. Blackfire's Land-Based Ethics: The Benally Family and the Protection of Shi Kéyah Hozhoni - Jeff Berglund -- 12. A Reading of Eekwol's Apprentice to the Mystery as an Expression of Cree Youth's Cultural Role and Responsibility - Gail A. Mackay -- 13. "By the Time I Get to Arizona": Hip Hop Responses to Arizona SB 1070 - Marcos Del Hierro -- Contributors -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.