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Film and Risk.

By: Contributor(s): Material type: TextTextSeries: Contemporary Approaches to Film and Media SeriesPublisher: Detroit : Wayne State University Press, 2012Copyright date: ©2012Edition: 1st edDescription: 1 online resource (323 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814336113
Subject(s): Genre/Form: Additional physical formats: Print version:: Film and RiskDDC classification:
  • 384/.80681
LOC classification:
  • PN1995.9.P7 -- F45 2012eb
Online resources:
Contents:
Cover -- Series Page -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: The Film Phenomenon and How Risk Pervades It -- Flamboyant Risk Taking: Why Some Filmmakers Embrace Avoidable and Excessive Risks -- True Stories of Risk Inadvertence -- Spectatorship and Risk -- Stunt Workers and Spectacle: Ethnography of Physical Risk in Hollywood and Hong Kong -- The Canary in the Gemeinschaft? Disability, Film, and the Jewish Question -- Accented Filmmaking and Risk Taking in the Age of Postcolonial Militancy, Terrorism, Globalization, Wars, Oppression, and Occupation -- Multinational Casts and Epistemic Risk: The Case of Pan-Asian Cinema -- The Financial and Economic Risks of Film Production -- Motion Picture Finance and Risk in the United States -- Encouraging Artistic Risk Taking through Film Policy: The Case of New Danish Screen -- After the Decisive Moment: Moving beyond Photojournalism's High-Risk Mode -- Chance and Change -- Film and the Environment: Risk Offscreen -- Contributors -- Index.
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Cover -- Series Page -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: The Film Phenomenon and How Risk Pervades It -- Flamboyant Risk Taking: Why Some Filmmakers Embrace Avoidable and Excessive Risks -- True Stories of Risk Inadvertence -- Spectatorship and Risk -- Stunt Workers and Spectacle: Ethnography of Physical Risk in Hollywood and Hong Kong -- The Canary in the Gemeinschaft? Disability, Film, and the Jewish Question -- Accented Filmmaking and Risk Taking in the Age of Postcolonial Militancy, Terrorism, Globalization, Wars, Oppression, and Occupation -- Multinational Casts and Epistemic Risk: The Case of Pan-Asian Cinema -- The Financial and Economic Risks of Film Production -- Motion Picture Finance and Risk in the United States -- Encouraging Artistic Risk Taking through Film Policy: The Case of New Danish Screen -- After the Decisive Moment: Moving beyond Photojournalism's High-Risk Mode -- Chance and Change -- Film and the Environment: Risk Offscreen -- Contributors -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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