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The Berlin School and Its Global Contexts : A Transnational Art Cinema.

By: Contributor(s): Material type: TextTextSeries: Contemporary Approaches to Film and Media SeriesPublisher: Detroit : Wayne State University Press, 2018Copyright date: ©2018Edition: 1st edDescription: 1 online resource (365 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814342015
Subject(s): Genre/Form: Additional physical formats: Print version:: The Berlin School and Its Global ContextsDDC classification:
  • 791.43094299999996
LOC classification:
  • PN1993.5.G3 .B475 2018
Online resources:
Contents:
Cover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction: The Berlin School and Beyond -- 1. The Berlin School and Women's Cinema -- 2. Gender, Genre, and the (Im)Possibilities of Romantic Love in Derek Cianfrance's Blue Valentine (2010) and Maren Ade's Everyone Else (2009) -- 3. Countercinematic Reflections and Non/National Strategies: New Austrian Film and the Berlin School -- 4. "Life Is Full of Difficult Decisions": Imaging Struggle in Henner Winckler's Lucy and Kelly Reichardt's Wendy and Lucy -- 5. Cinema as Digest, Cinema as Digesture: Corneliu Porumboiu's Metabolism (2013) and the Cinema of the Berlin School -- 6. No Place Is Home: Christian Petzold, the Berlin School, and Nuri Bilge Ceylan -- 7. The Forces of the Milieu: Angela Schanelec's Marseille and the Heritage of Michelangelo Antonioni -- 8. New Global Waves: Abbas Kiarostami and the Berlin School -- 9. Bifurcated Time: Ulrich Köhler / Apichatpong Weerasethakul -- 10. East of Berlin: Berlin School Filmmaking and the Aesthetics of Blandness -- 11. Politics in, and of, the Berlin School: Terrorism, Refusal, and Inertia -- 12. Running Images in Benjamin Heisenberg's Films: A French Connection -- 13. Ghosts at an Early Age: Youth, Labor, and the Intensified Body in the Work of Christian Petzold and the Dardennes -- 14. The Making of Now: New Wave Cinema in Berlin and Buenos Aires -- 15. Toward an Aesthetics of Worldlessness: Béla Tarr and the Berlin School -- Contributors -- Index.
Summary: Germany's most important filmmaking movement in conversation with its peers across the globe.
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Cover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction: The Berlin School and Beyond -- 1. The Berlin School and Women's Cinema -- 2. Gender, Genre, and the (Im)Possibilities of Romantic Love in Derek Cianfrance's Blue Valentine (2010) and Maren Ade's Everyone Else (2009) -- 3. Countercinematic Reflections and Non/National Strategies: New Austrian Film and the Berlin School -- 4. "Life Is Full of Difficult Decisions": Imaging Struggle in Henner Winckler's Lucy and Kelly Reichardt's Wendy and Lucy -- 5. Cinema as Digest, Cinema as Digesture: Corneliu Porumboiu's Metabolism (2013) and the Cinema of the Berlin School -- 6. No Place Is Home: Christian Petzold, the Berlin School, and Nuri Bilge Ceylan -- 7. The Forces of the Milieu: Angela Schanelec's Marseille and the Heritage of Michelangelo Antonioni -- 8. New Global Waves: Abbas Kiarostami and the Berlin School -- 9. Bifurcated Time: Ulrich Köhler / Apichatpong Weerasethakul -- 10. East of Berlin: Berlin School Filmmaking and the Aesthetics of Blandness -- 11. Politics in, and of, the Berlin School: Terrorism, Refusal, and Inertia -- 12. Running Images in Benjamin Heisenberg's Films: A French Connection -- 13. Ghosts at an Early Age: Youth, Labor, and the Intensified Body in the Work of Christian Petzold and the Dardennes -- 14. The Making of Now: New Wave Cinema in Berlin and Buenos Aires -- 15. Toward an Aesthetics of Worldlessness: Béla Tarr and the Berlin School -- Contributors -- Index.

Germany's most important filmmaking movement in conversation with its peers across the globe.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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