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Neo-Passing : Performing Identity after Jim Crow.

By: Contributor(s): Material type: TextTextPublisher: Champaign : University of Illinois Press, 2018Copyright date: ©2018Edition: 1st edDescription: 1 online resource (237 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780252050244
Subject(s): Genre/Form: Additional physical formats: Print version:: Neo-PassingDDC classification:
  • 810.9355
LOC classification:
  • PS169
Online resources:
Contents:
Cover -- Title -- Copyright -- Contents -- Foreword: Passing and "Post-Race" -- Acknowledgments -- Introduction: The Neo-Passing Narrative -- Appendix to the Introduction. Neo-Passing Narratives: Teaching and Scholarly Resources -- Part I. New Histories -- Introduction: Passing at the Turn of the Twenty-First Century -- 1. Why Passing Is (Still) Not Passé after More Than 250 Years: Sources from the Past and Present -- 2. Passing for Postracial: Colorblind Reading Practices of Zombies, Sheriffs, and Slaveholders -- 3. Adam Mansbach's Postracial Imaginary in Angry Black White Boy -- 4. Black President Bush: The Racial and Gender Politics behind Dave Chappelle's Presidential Drag -- 5. Seeing Race in Comics: Passing, Witness, and the Spectacle of Racial Violence in Johnson and Pleece's Incognegro -- Part II. New Identities -- Introduction: Passing at the Intersections -- 6. Passing Truths: Identity-Immersion Journalism and the Experience of Authenticity -- 7. Passing for Tan: Snooki and the Grotesque Reality of Ethnicity -- 8. The Pass of Least Resistance: Sexual Orientation and Race in ZZ Packer's "Drinking Coffee Elsewhere" -- 9. Neo-Passing and Dissociative Identities as Affective Strategies in Frankie and Alice -- 10. "A New Type of Human Being": Gender, Sexuality, and Ethnicity as Perpetual Passing in Jeffrey Eugenides's Middlesex -- Afterword: Why Neo Now? -- Contributors -- Index.
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Cover -- Title -- Copyright -- Contents -- Foreword: Passing and "Post-Race" -- Acknowledgments -- Introduction: The Neo-Passing Narrative -- Appendix to the Introduction. Neo-Passing Narratives: Teaching and Scholarly Resources -- Part I. New Histories -- Introduction: Passing at the Turn of the Twenty-First Century -- 1. Why Passing Is (Still) Not Passé after More Than 250 Years: Sources from the Past and Present -- 2. Passing for Postracial: Colorblind Reading Practices of Zombies, Sheriffs, and Slaveholders -- 3. Adam Mansbach's Postracial Imaginary in Angry Black White Boy -- 4. Black President Bush: The Racial and Gender Politics behind Dave Chappelle's Presidential Drag -- 5. Seeing Race in Comics: Passing, Witness, and the Spectacle of Racial Violence in Johnson and Pleece's Incognegro -- Part II. New Identities -- Introduction: Passing at the Intersections -- 6. Passing Truths: Identity-Immersion Journalism and the Experience of Authenticity -- 7. Passing for Tan: Snooki and the Grotesque Reality of Ethnicity -- 8. The Pass of Least Resistance: Sexual Orientation and Race in ZZ Packer's "Drinking Coffee Elsewhere" -- 9. Neo-Passing and Dissociative Identities as Affective Strategies in Frankie and Alice -- 10. "A New Type of Human Being": Gender, Sexuality, and Ethnicity as Perpetual Passing in Jeffrey Eugenides's Middlesex -- Afterword: Why Neo Now? -- Contributors -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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