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Doctor Faustus : A Critical Guide.

By: Material type: TextTextSeries: Continuum Renaissance Drama GuidesPublisher: London : Bloomsbury Publishing Plc, 2010Copyright date: ©2015Edition: 1st edDescription: 1 online resource (225 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781441188571
Subject(s): Genre/Form: Additional physical formats: Print version:: Doctor FaustusDDC classification:
  • 822.33
LOC classification:
  • PR2664.D638 2010eb
Online resources:
Contents:
Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Series Introduction -- Timeline -- Introduction -- The Guide -- The Sources -- The Play -- Notes -- Chapter 1 The Critical Backstory -- The Two Texts -- Date -- Co-authorship, Structure and Comedy -- The Birth of Marlowe Studies -- Sceptic or Moralist? -- Marlowe and Early Drama -- The End of the Century -- Helen -- Despair -- Predestination and Free Will -- On to the Future -- Notes -- Chapter 2 The Performance History -- Other Productions in Brief -- Notes -- Chapter 3 The State of the Art: Current Critical Research -- Tendencies -- Patterns -- The Future -- Reference Works -- Notes -- Chapter 4 New Directions: Doctor Faustus and Renaissance Hermeticism -- Notes -- Chapter 5 New Directions: Imperialism as Devilry:A Postcolonial Reading of Doctor Faustus -- Colonial Expansion in the Elizabethan Era -- Faustus and Signification -- Faustus as Imperialist -- Notes -- Chapter 6 New Directions: 'What means this show?' Staging Faustus on Campus -- Notes -- Chapter 7 New Directions: The Other Black Arts: Doctor Faustus and the Inky Worlds of Printing and Writing -- Notes -- Chapter 8 A Survey of Resources -- Annotated Bibliography -- Notes -- Bibliography -- Notes on Contributors -- Index.
Summary: Doctor Faustus, is Christopher Marlowe's most popular play and is often seen as one of the overwhelming triumphs of the English Renaissance. It has had a rich and varied critical history often arousing violent critical controversy. This guide offers students an introduction to its critical and performance history, surveying notable stage productions from its initial performance in 1594 to the present and including TV, audio and cinematic versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated biography provide a basis for further individual research.
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Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Series Introduction -- Timeline -- Introduction -- The Guide -- The Sources -- The Play -- Notes -- Chapter 1 The Critical Backstory -- The Two Texts -- Date -- Co-authorship, Structure and Comedy -- The Birth of Marlowe Studies -- Sceptic or Moralist? -- Marlowe and Early Drama -- The End of the Century -- Helen -- Despair -- Predestination and Free Will -- On to the Future -- Notes -- Chapter 2 The Performance History -- Other Productions in Brief -- Notes -- Chapter 3 The State of the Art: Current Critical Research -- Tendencies -- Patterns -- The Future -- Reference Works -- Notes -- Chapter 4 New Directions: Doctor Faustus and Renaissance Hermeticism -- Notes -- Chapter 5 New Directions: Imperialism as Devilry:A Postcolonial Reading of Doctor Faustus -- Colonial Expansion in the Elizabethan Era -- Faustus and Signification -- Faustus as Imperialist -- Notes -- Chapter 6 New Directions: 'What means this show?' Staging Faustus on Campus -- Notes -- Chapter 7 New Directions: The Other Black Arts: Doctor Faustus and the Inky Worlds of Printing and Writing -- Notes -- Chapter 8 A Survey of Resources -- Annotated Bibliography -- Notes -- Bibliography -- Notes on Contributors -- Index.

Doctor Faustus, is Christopher Marlowe's most popular play and is often seen as one of the overwhelming triumphs of the English Renaissance. It has had a rich and varied critical history often arousing violent critical controversy. This guide offers students an introduction to its critical and performance history, surveying notable stage productions from its initial performance in 1594 to the present and including TV, audio and cinematic versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated biography provide a basis for further individual research.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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