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African American Arts : Activism, Aesthetics, and Futurity.

By: Contributor(s): Material type: TextTextSeries: The Griot Project Book SeriesPublisher: New Brunswick : Bucknell University Press, 2019Copyright date: ©2020Edition: 1st edDescription: 1 online resource (345 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781684481569
Subject(s): Genre/Form: Additional physical formats: Print version:: African American ArtsDDC classification:
  • 700.89/96073
LOC classification:
  • NX512
Online resources:
Contents:
Cover -- Half-Title -- Title -- Copyright -- Contents -- List of Illustrations -- Series Editor Foreword (Carmen Gillespie) -- Visual Foreword (Carrie Mae Weems) -- Introduction: African American Arts in Action (Sharrell D. Luckett) -- Part I: Bodies of Activism -- Chapter 1 : Trans Identity as Embodied Afrofuturism (Amber Johnson) -- Chapter 2 : Designing Our Freedom: Toward a New Discourse on Fashionas a Strategy for Self-Liberation (Rikki Byrd) -- Chapter 3 : Pearl Primus's Choreo-Activism: 1943-1949 (Doria E. Charlson) -- Chapter 4 : Performing New Nationalism/Performing a Living Culture:Josefina Báez's Dominicanish (Florencia V. Cornet) -- Chapter 5 : Ethnicity, Ethicalness, Excellence: Armond White'sAll-American Humanism (Daniel McNeil) -- Chapter 6 : Race and History on the Operatic Stage: Caterina Jarboro Sings Aida (Lucy Caplan) -- Part II: Music and Visual Art as Activism -- Chapter 7 : "I Am Basquiat": Tracing Jean-Michel Basquiat's Alterityand Activism in Paint and Performance (Genevieve Hyacinthe) -- Chapter 8 : "I Luh God": Erica Campbell, Trap Gospel, and the Moral Maskof Language Discrimination (Sammantha McCalla) -- Chapter 9 : The Hidden Code of the Kongo Cosmogram in African AmericanArt and Culture (Nettrice R. Gaskins) -- Chapter 10 : From Baldwin to Beyoncé: Exploring the Responsibility of the Artistin Society-Re-envisioning the Black Female Sonic Artist as Citizen (Abby Dobson) -- Chapter 11 : Slaying "Formation": A Queering of Black Radical Tradition (J. Michael Kinsey) -- Part III: Institutions of Activism -- Chapter 12 : Centering Blackness through Performance in Every 28 Hours (Shondrika Moss-Bouldin) -- Chapter 13 : Dancing for Justice Philadelphia: Embodiment, Dance,and Social Change (Julie B. Johnson).
Chapter 14 : A Conversation with Freddie Hendricks of the Freddie HendricksYouth Ensemble of Atlanta (Sharrell D. Luckett) -- Chapter 15 : The Conciliation Project as a Social Experiment: Behind the Maskof Uncle Tom-ism and the Performance of Blackness (Jasmine Coles and Tawnya Pettiford-Wates) -- Afterword: Blackballin' A play by (Rickerby Hinds) -- Acknowledgments -- About the Contributors -- Index.
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Cover -- Half-Title -- Title -- Copyright -- Contents -- List of Illustrations -- Series Editor Foreword (Carmen Gillespie) -- Visual Foreword (Carrie Mae Weems) -- Introduction: African American Arts in Action (Sharrell D. Luckett) -- Part I: Bodies of Activism -- Chapter 1 : Trans Identity as Embodied Afrofuturism (Amber Johnson) -- Chapter 2 : Designing Our Freedom: Toward a New Discourse on Fashionas a Strategy for Self-Liberation (Rikki Byrd) -- Chapter 3 : Pearl Primus's Choreo-Activism: 1943-1949 (Doria E. Charlson) -- Chapter 4 : Performing New Nationalism/Performing a Living Culture:Josefina Báez's Dominicanish (Florencia V. Cornet) -- Chapter 5 : Ethnicity, Ethicalness, Excellence: Armond White'sAll-American Humanism (Daniel McNeil) -- Chapter 6 : Race and History on the Operatic Stage: Caterina Jarboro Sings Aida (Lucy Caplan) -- Part II: Music and Visual Art as Activism -- Chapter 7 : "I Am Basquiat": Tracing Jean-Michel Basquiat's Alterityand Activism in Paint and Performance (Genevieve Hyacinthe) -- Chapter 8 : "I Luh God": Erica Campbell, Trap Gospel, and the Moral Maskof Language Discrimination (Sammantha McCalla) -- Chapter 9 : The Hidden Code of the Kongo Cosmogram in African AmericanArt and Culture (Nettrice R. Gaskins) -- Chapter 10 : From Baldwin to Beyoncé: Exploring the Responsibility of the Artistin Society-Re-envisioning the Black Female Sonic Artist as Citizen (Abby Dobson) -- Chapter 11 : Slaying "Formation": A Queering of Black Radical Tradition (J. Michael Kinsey) -- Part III: Institutions of Activism -- Chapter 12 : Centering Blackness through Performance in Every 28 Hours (Shondrika Moss-Bouldin) -- Chapter 13 : Dancing for Justice Philadelphia: Embodiment, Dance,and Social Change (Julie B. Johnson).

Chapter 14 : A Conversation with Freddie Hendricks of the Freddie HendricksYouth Ensemble of Atlanta (Sharrell D. Luckett) -- Chapter 15 : The Conciliation Project as a Social Experiment: Behind the Maskof Uncle Tom-ism and the Performance of Blackness (Jasmine Coles and Tawnya Pettiford-Wates) -- Afterword: Blackballin' A play by (Rickerby Hinds) -- Acknowledgments -- About the Contributors -- Index.

No detailed description available for "African American Arts".

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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