The Secret Life of Glenn Gould : A Genius in Love.

Front Cover -- Front Flap -- Copyright -- Table of Contents -- Introduction -- Chapter ONE: FLORA -- Chapter TWO: FRANNY and GOULDIE -- Chapter THREE: SLEEPING with the PIED PIPER -- Chapter FOUR: A PROPOSAL -- Chapter FIVE: GLADYS and CYNTHIA -- Chapter SIX: Overlapping VOICES -- Chapter SEVEN: The EMPTY SEAT in the AUDIENCE -- Chapter EIGHT: That SPRING in BERKELEY SQUARE -- Chapter NINE: Lots of FEMALE FRIENDS -- Chapter TEN: The BEGINNING of a TRIANGLE -- Chapter ELEVEN: The MUSIC INTENSIFIES -- Chapter TWELVE: Crushed by CAROL -- Chapter THIRTEEN: To TORONTO -- Chapter FOURTEEN: The BREAKUP -- Chapter FIFTEEN: The VOICE on the RADIO -- Chapter SIXTEEN: CATHARSIS through MUSIC -- Chapter SEVENTEEN: TRANSITION -- Chapter EIGHTEEN: RHAPSODY in MOO -- Chapter NINETEEN: The LIST -- Chapter TWENTY: MONICA - The LINK between two SECRET KINGDOMS? -- Chapter TWENTY-ONE: The LAUGH HEARD around the WORLD -- Chapter TWENTY-TWO: SUSAN K. -- Chapter TWENTY-THREE: DEATH -- Chapter TWENTY-FOUR: Whatever HAPPENED TO . . . -- Acknowledgments -- Sources.

Long after his death, Glenn Gould still lures new listeners to his piano, connecting with them on a haunting, personal level. “He feels and you feel,” says young New York writer Nicole Spectre. “I can feel his pain and joy – it touches me. He speaks directly to me.” But when he was known as the world’s greatest pianist in the 1950s and 1960s, just who was Gould playing for? His audience? Himself? His demanding mother? All are likely true, but he was also richly inspired by – and bared his soul at the keyboard to – a secret society of women, the girlfriends who stirred his hard-to-fetch emotions: Franny Batchen, Verna Sandercock, Cornelia Foss, Roxolana Roslak, and Monica Gaylord. Of the eighteen books and nineteen documentaries by or about the most compelling virtuoso of the twentieth century, none have contained details about Gould’s many love affairs and how they affected his life, his music, and his filmmaking. Until now, biographers have tried to explain what came out of the music box, not the engine that drove it. The vault to his private life has remained locked since his untimely death in 1982 because of his obsessions with privacy and controlling his image, the loyalty of his carefully chosen friends and lovers, and the choice that biographers made to focus safely on his music and eccentricities. The Secret Life of Glenn Gould will be the first true exposé of Gould, who until now has been assumed to be asexual, lonely, and egocentric, by examining his love and soul-mate relationships. His music was twelve-tonal and his documentaries “contrapuntal” – both were filled with overlapping voices – and so was his private life.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.