A Companion to Contemporary Drawing.

Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Notes on Contributors -- Acknowledgments -- Introduction -- Part 1 The Power of Drawing -- Chapter 1 The Black Index -- Kenyatta A.C. Hinkle: The Evanesced -- Titus Kaphar: Asphalt and Chalk -- Whitfield Lovell: Rounds -- Double Take -- Notes -- References -- Chapter 2 A State of Alert: The Politics of Eroticism in South American Drawing -- Defining South American Drawing -- The Politics of Drawing Maps -- Away with These Ancient Disabilities: Erotic Drawing in Brazil -- Outside the Boundaries of the Normal: Drawing and Pornography Toward Greater Freedom -- Epilogue -- Notes -- References -- Chapter 3 Graphic Witness -- Notes -- References -- Chapter 4 Drawn from Communism: Anti-Capitalist Drawing from Central-Eastern Europe -- Dialectics of Black and White -- (Not-So) White Cube -- Working as Drawing -- Baddrawing2 -- Sistine Chapel of Egalitarian Art -- Interpretation as Practice -- Drawing as a Tool -- Drawing's Pedagogical Turn -- Drawing Surplus Population -- Drawing as the Brechtian Actor -- Notes -- References -- Chapter 5 Differencing Drawing: Feminist Perspectives on Line, Surface, and Space -- Encounter I: The Line of Christine Taylor Patten (USA, b.1940) -- Encounter II: Eva Hesse (b.1936) and Surface -- Encounter III: Claudette Johnson (b.1959) with Adrian Piper (b.1948) -- Encounter V Differencing: Some Theoretical Reflections -- References -- Chapter 6 A Dirty Double Mirror: Drawing, Autobiography and Feminism1 -- Autobiography and Drawing -- Portraits and Self‐Portraits -- Autobiographical Fictions -- Fool, of Thyself Speak Well: Fool, Do Not Flatter18 -- Self‐Made -- The Graphic Arts -- Through a Glass, Darkly -- Notes -- References -- Video -- Artworks cited -- Further Reading.

Chapter 7 Between the Sky and the Handle: Shilpa Gupta's Drawings in the Contemporary -- Drawing and Conceptual Art in Contemporary Indian art -- Acknowledgment -- Notes -- References -- Further Reading -- Chapter 8 Drawing as Contagion: Jade Montserrat -- Chapter 9 Curating Drawing: Exhibitions and the Centering of Drawing in Contemporary Art -- Introduction -- Drawing, Now and Then -- Drawing as Center7 -- Notes -- References -- Part 2 The Condition of Drawing -- Chapter 10 Observation and Drawing: From Looking to Seeing -- A Line of Thought -- The Looking Encounter -- Notes -- References -- Chapter 11 "Drawing's Impropriety" -- The Subjectile -- The Ground -- Blank Silence -- Appendix -- Notes -- References -- Chapter 12 Drawing in Atopia: An Exploration of "Drift" as Method -- Notes -- References -- Chapter 13 Works on/in/with Paper: Approaching Drawing as Responsive Marking -- The First Drawings, or Appropriating the Surface -- Working with What Is in the Surface -- The First Drawings Revisited, or Being Beside the Surface -- Following the Mark, Following the Surface -- Notes -- References -- Chapter 14 Indexical Drawing: On Frottage -- Indexicality -- Max Ernst -- Rosalind Krauss on the Index -- Michelle Stuart -- Masao Okabe -- Do Ho Suh -- Anna Barriball -- Notes -- References -- Chapter 15 Ground as Critical Limit1 -- Claiming the Surface -- Concealment -- Production of the Ground -- Terminology -- Note -- References -- Chapter 16 Drawing's Finish -- Acknowledgments -- Notes -- References -- Chapter 17 Radical Antinomies: Drawing and Conceptual Art -- Drawing as Thinking -- The Mediated Mark -- Paperwork -- Wall Drawings -- Withdrawing -- Academy of the Erased de Kooning -- References -- Chapter 18 Drawing Desires -- References -- Chapter 19 Drawing from Life and the Twenty‐first Century Art School -- Introduction -- Changes in Art Education.

The Agency of Drawing -- Drawing, Photography and the Mass Sharing of Images -- Barbara Walker -- Robert Longo -- Spatial Drawing, William Kentridge and Tatiana Trouvé -- Acknowledgments -- Notes -- References -- Further Reading -- Part 3 The Expanse of Drawing -- Chapter 20 Marking Time, Moving Images: Drawing and Film -- Marking Time -- Cinematic Drawing -- Repetition, Silence, and Futility -- Film Stills and Transferred Photographs -- Rohfilm and Direct Animation -- Drawings for Projection -- Conclusion: Time Held Up -- Notes -- References -- Chapter 21 Digital Drawing -- Transmission in Analogue Drawing -- Early Analogue Computer Drawing -- Digital Drawing Begins -- Toward Transparency -- A Longer Continuity: The Appeal of Transparency -- Resisting Transparency -- Digitized Continuity -- Digitally Native Continuity -- Conclusion: Whatever Else We Miss -- Notes -- References -- Chapter 22 The Dot and the Line: Drawing Amongst Computers -- Medium Specificity, Drawing and the Digital -- The Beginning of Drawing with Computers -- Computer Drawings and Specific Objects -- Drawing Machines -- Autonomy and Algorithms -- Digital Drawing's esthetic -- Notes -- References -- Chapter 23 Installation/Drawing: Spaces of Drawing Between Art and Architecture -- The Space in Drawing -- Figures of Spaces -- Spaces of Representation -- Grounds for Drawing -- The Space of Drawing -- Notes -- References -- Chapter 24 Informational Drawing -- Notes -- References -- Chapter 25 Drawing Towards Sound - Notation, Diagram, Drawing -- Sound, Symbol, Notation -- Graphics, Chance, and Indeterminacy -- Performing Events -- Toward an Interdisciplinary Dialogue -- References -- Chapter 26 Chinese Calligraphy: A Drawing Ecology -- Speaking Forms -- Calligraphic Materials -- Fit to Use -- Alliances and Critical Vectors -- Recently -- Final Remarks -- References.

Further Readings -- Reproductions -- Chapter 27 The Enduring Power of Comic Strips -- Notes -- References -- Index -- EULA.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.