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Unlocking Creativity : A Producer's Guide to Making Music and Art.

By: Material type: TextTextPublisher: Blue Ridge Summit : Hal Leonard Corporation, 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (179 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781495028953
Subject(s): Genre/Form: Additional physical formats: Print version:: Unlocking CreativityDDC classification:
  • 781.1/7
LOC classification:
  • ML3470 .B456 2015
Online resources:
Contents:
Intro -- Contents -- Introduction -- 1. The Record Producer -- 2. Prep Work -- 3. Preliminary Pre-Production -- 4. Pre-Production -- 5. Who, and What, Is an Artist? -- 6. Meditation and Relaxation -- 7. Artist Manipulation -- 8. What Is This Song About? -- 9. Deconstructing Feel -- 10. The Physiology of Feel -- 11. Drums and Drummers -- 12. Some Guidelines for Vocalists -- 13. The Significance of Creative Work -- 14. Creative Expression as Communication -- 15. Communication in the Creative Environment -- 16. Delusional Thinking from the Depths of the Music Business and Beyond -- 17. Harmonic Layering and the Creative Use of Distortion -- 18. The Contract -- 19. The Inner Voice and the First Step -- 20. How Do You Perceive Sound? -- 21. Supplemental Activities -- 22. Free Yourself from the Need for an Expected Outcome -- 23. Idling Down -- 24. Intent -- 25. Identity -- 26. The Blind Terror of Performance -- 27. What Is Artist Development? -- 28. The Other Creativity Crisis -- 29. The Three Forms of Creativity -- 30. An Idea Is a Start Point, Not an End Point -- 31. Objectivity, Incentive, and Ownership -- Abridged Discography.
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Intro -- Contents -- Introduction -- 1. The Record Producer -- 2. Prep Work -- 3. Preliminary Pre-Production -- 4. Pre-Production -- 5. Who, and What, Is an Artist? -- 6. Meditation and Relaxation -- 7. Artist Manipulation -- 8. What Is This Song About? -- 9. Deconstructing Feel -- 10. The Physiology of Feel -- 11. Drums and Drummers -- 12. Some Guidelines for Vocalists -- 13. The Significance of Creative Work -- 14. Creative Expression as Communication -- 15. Communication in the Creative Environment -- 16. Delusional Thinking from the Depths of the Music Business and Beyond -- 17. Harmonic Layering and the Creative Use of Distortion -- 18. The Contract -- 19. The Inner Voice and the First Step -- 20. How Do You Perceive Sound? -- 21. Supplemental Activities -- 22. Free Yourself from the Need for an Expected Outcome -- 23. Idling Down -- 24. Intent -- 25. Identity -- 26. The Blind Terror of Performance -- 27. What Is Artist Development? -- 28. The Other Creativity Crisis -- 29. The Three Forms of Creativity -- 30. An Idea Is a Start Point, Not an End Point -- 31. Objectivity, Incentive, and Ownership -- Abridged Discography.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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