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Critical Approaches to the Production of Music and Sound.

By: Contributor(s): Material type: TextTextPublisher: New York : Bloomsbury Academic & Professional, 2018Copyright date: ©2018Edition: 1st edDescription: 1 online resource (292 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781501332081
Subject(s): Genre/Form: Additional physical formats: Print version:: Critical Approaches to the Production of Music and SoundDDC classification:
  • 781.49
LOC classification:
  • ML3790 .C758 2018
Online resources:
Contents:
Cover -- Half-title -- Title -- Copyright -- Contents -- List of figures and tables -- List of contributors -- Acknowledgments -- 1. The Production of Music and Sound: A Multidisciplinary Critique -- Part One: Situating Production: Place, Space and Gender -- 2. Field Recording and the Production of Place -- 3. The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production -- 4. "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches -- Part Two: Beyond Representation -- 5. Producing TV Series Music in Istanbul -- 6. Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music -- Part Three: Electronic Music -- 7. "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education -- 8. Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance -- Part Four: Technology and Technique -- 9. Weapons of Mass Deception: The Invention and Reinvention of Recording Studio Mythology -- 10. Auto-Tune In Situ: Digital Vocal Correction and Conversational Repair -- Part Five: Mediating Sound and Silence -- 11. Listening to or Through Technology: Opaque and Transparent Mediation -- 12. Six Types of Silence -- Part Six: Virtuality and Online Production -- 13. Intermixtuality: Case Studies in Online Music (Re)production -- 14. Crowdfunding and Alternative Modes of Production -- Index.
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Cover -- Half-title -- Title -- Copyright -- Contents -- List of figures and tables -- List of contributors -- Acknowledgments -- 1. The Production of Music and Sound: A Multidisciplinary Critique -- Part One: Situating Production: Place, Space and Gender -- 2. Field Recording and the Production of Place -- 3. The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production -- 4. "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches -- Part Two: Beyond Representation -- 5. Producing TV Series Music in Istanbul -- 6. Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music -- Part Three: Electronic Music -- 7. "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education -- 8. Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance -- Part Four: Technology and Technique -- 9. Weapons of Mass Deception: The Invention and Reinvention of Recording Studio Mythology -- 10. Auto-Tune In Situ: Digital Vocal Correction and Conversational Repair -- Part Five: Mediating Sound and Silence -- 11. Listening to or Through Technology: Opaque and Transparent Mediation -- 12. Six Types of Silence -- Part Six: Virtuality and Online Production -- 13. Intermixtuality: Case Studies in Online Music (Re)production -- 14. Crowdfunding and Alternative Modes of Production -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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