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The Multisensory Film Experience : A Cognitive Model of Experiental Film Aesthetics.

By: Contributor(s): Material type: TextTextPublisher: Bristol : Intellect, Limited, 2016Copyright date: ©2016Edition: 1st edDescription: 1 online resource (220 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781783206292
Subject(s): Genre/Form: Additional physical formats: Print version:: The Multisensory Film ExperienceDDC classification:
  • 791.4301
LOC classification:
  • PN1995.R634 2016
Online resources:
Contents:
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Foreword by Michael Grabowski -- Acknowledgements -- Chapter 1: The Multisensory Film Experience, Experiential Film Aesthetics, Cinema and the Senses -- Chapter 2: The Vestibular in Film: Orientation and Balance in Gus Van Sant's Cinema of Walking -- Chapter 3: Nociception in Film: A Cinematic Account of Ki-Duk Kim's Aesthetics of Pain -- Chapter 4: Thermoception in Film: Knut Erik Jensen's Experiential Aesthetics of Cold -- Chapter 5: Conclusion -- Bibliography -- Filmography -- Back Cover.
Summary: When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that's inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.
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Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Foreword by Michael Grabowski -- Acknowledgements -- Chapter 1: The Multisensory Film Experience, Experiential Film Aesthetics, Cinema and the Senses -- Chapter 2: The Vestibular in Film: Orientation and Balance in Gus Van Sant's Cinema of Walking -- Chapter 3: Nociception in Film: A Cinematic Account of Ki-Duk Kim's Aesthetics of Pain -- Chapter 4: Thermoception in Film: Knut Erik Jensen's Experiential Aesthetics of Cold -- Chapter 5: Conclusion -- Bibliography -- Filmography -- Back Cover.

When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that's inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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