TY  - BOOK
AU  - Hui,Alexandra
TI  - The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910
T2  - Transformations: Studies in the History of Science and Technology Series
SN  - 9780262305952
AV  - QP461 -- .H85 2013eb 
U1  - 612.8/54 
PY  - 2012///
CY  - Cambridge
PB  - MIT Press
KW  - Psychoacoustics -- History -- 19th century
KW  - Psychoacoustics -- History -- 20th century
KW  - Sound -- Experiments -- History -- 19th century
KW  - Sound -- Experiments -- History -- 20th century
KW  - Avant-garde (Music) -- History -- 19th century
KW  - Avant-garde (Music) -- History -- 20th century
KW  - Electronic books
N1  - Intro -- Transformations: Studies in the History of Science and Technology -- Contents -- Acknowledgments -- Introduction -- 1 Gustav Fechner, the Day View, and the Origins of Psychophysics -- 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann -- 3 Sound Materialized and Music Reconciled: Hermann Helmholtz -- 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke -- 5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the Field -- Coda -- Appendix -- Notes -- References -- Index
N2  - An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria
UR  - https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3339539
ER  -