TY  - BOOK
AU  - Grau,Oliver
AU  - Arnheim,Rudolf
AU  - Broeckmann,Andreas
AU  - Burnett,Ron
AU  - Couchot,Edmond
AU  - Cubitt,Sean
AU  - Daniels,Dieter
AU  - Frankel,Felice C.
AU  - Huhtamo,Erkki
AU  - Kahn,Douglas
TI  - MediaArtHistories
T2  - Leonardo Series
SN  - 9780262274258
AV  - N72.T4 -- M43 2007eb 
U1  - 701/.05 
PY  - 2007///
CY  - Cambridge
PB  - MIT Press
KW  - Art and technology
KW  - Art and science
KW  - Art -- Historiography
KW  - Electronic books
N1  - Intro -- Contents -- Series Foreword -- Acknowledgments -- Ch 1 Introduction -- Ch 2 The Coming and Going of Images -- I Origins: Evolution versus Revolution -- Ch 3 It Is Forbidden Not to Touch: Some Remarks on the (Forgotten Parts of the) History of Interactivity and Virtuality -- Ch 4 Historicizing Art and Technology: Forging a Method and Firing a Canon -- Ch 5 Twin-Touch-Test-Redux: Media Archaeological Approach to Art, Interactivity, and Tactility -- Ch 6 Duchamp: Interface: Turing: A Hypothetical Encounter between the Bachelor Machine and the Universal Machine -- Ch 7 Remember the Phantasmagoria! Illusion Politics of the Eighteenth Century and Its Multimedial Afterlife -- Ch 8 Islamic Automation: A Reading of al-Jazari's The Book of Knowledge of Ingenious Mechanical Devices (1206) -- II Machine-Media-Exhibition -- Ch 9 The Automatization of Figurative Techniques: Toward the Autonomous Image -- Ch 10 Image, Process, Performance, Machine: Aspects of an Aesthetics of the Machinic -- Ch 11 From Film to Interactive Art: Transformations in Media Arts -- Ch 12 The Passage from Material to Interface -- Ch 13 The Myth of Immateriality: Presenting and Preserving New Media -- III Pop Meets Science -- Ch 14 Device Art: A New Approach in Understanding Japanese Contemporary Media Art -- Ch 15 Projecting Minds -- Ch 16 Abstraction and Complexity -- Ch 17 Making Studies in New Media Critical -- IV Image Science -- Ch 18 Image, Meaning, and Discovery -- Ch 19 There Are No Visual Media -- Ch 20 Projection: Vanishing and Becoming -- Ch 21 Between a Bach and a Bard Place: Productive Constraint in Early Computer Arts -- Ch 22 Picturing Uncertainty: From Representation to Mental Representation -- Contributors
N2  - Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice
UR  - https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3338683
ER  -