TY  - BOOK
AU  - Braddock,Jeremy
TI  - Collecting As Modernist Practice
T2  - Hopkins Studies in Modernism Series
SN  - 9781421406640
AV  - PN56.M54 B746 2012 
U1  - 069/.409 
PY  - 2012///
CY  - Baltimore
PB  - Johns Hopkins University Press
KW  - Modernism (Literature)
KW  - Collectors and collecting
KW  - Anthologies-History and criticism
KW  - Electronic books
N1  - Cover -- Contents -- Acknowledgments -- Introduction: Collections Mediation Modernism -- 1 After Imagisme -- The Lyric Year and the Crisis in Cultural Valuation -- The Anthology as Weapon -- The Others Formation -- Reprisal Anthologies -- 2 The Domestication of Modernism: The Phillips Memorial Gallery in the 1920s -- Pictorial Publicity -- Subconscious Stimulation, a Professional Public Sphere -- Problems in Collecting Pictures -- Akhenaten, Patron of Modernism -- 3 The Barnes Foundation, Institution of the New Psychologies -- Against Dilettantism -- A System for the New Spirit -- Collection and Institution -- The Art of Memory in the Age of the Unconscious -- 4 The New Negro in the Field of Collections -- Sage Homme Noir -- Precursor Anthologies -- Coterie, Movement, Race -- The Heritage of The New Negro -- Downstairs from the Harlem Museum -- 5 Modernism's Archives: Afterlives of the Modernist Collection -- Two Termini -- Two Consecrations -- Two Archives -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
N2  - Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States
UR  - https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3318616
ER  -