TY  - BOOK
AU  - Leach,Jim
AU  - Sloniowski,Jeannette
AU  - Sloniowski,Jeannette
AU  - Leach,Jim
AU  - Studlar,Gaylyn
AU  - Rayner,Jonathan
AU  - Carroll,Hamilton
AU  - Palmer,Tim
AU  - Henderson,Scott
AU  - Munby,Jonathan
TI  - The Best Laid Plans: Interrogating the Heist Film
T2  - Contemporary Approaches to Film and Media Series
SN  - 9780814342251
AV  - PN1995.9.C66 .B478 2017 
U1  - 791.436556 
PY  - 2017///
CY  - Detroit
PB  - Wayne State University Press
KW  - Crime films
KW  - Caper films-History and criticism
KW  - Detective and mystery films-History and criticism
KW  - Electronic books
N1  - Cover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: . . . of Heists and Men -- 1. The International Heist Film -- All for Naught: The American Heist Film in the Fifties -- "What Price Glory?": Postwar British Heist Films -- The Joy of Burglary: Wealth Relocation Strategies and Other Entertainments in the Postwar French Policier -- From Nickel Mines to Plastic Vaginas: The Heist Genre in Canadian Cinema -- 2. Gender, Race, and Class in the Heist Film -- Men, Women, and the Heist Film -- Masculinity, Morality, and Action: Michael Mann and the Heist Movie -- Hollywood and the Black Stickup: Race and the Meaning of the Heist on the Big White Screen -- The Inevitability of Failure: The Small-Time Criminal and the Heist Film -- 3. The Aesthetics and Ideology of the Heist Film -- Economic Sentiments in Kubrick's The Killing and Furukawa's Cruel Gun Story -- Heists and "Eye-sts": Sense and Sensuality in the Aesthetic Experience of the Heist Film -- The Galerie Imaginaire of Steven Soderbergh's Ocean's Trilogy: Modernist Painting in the Contemporary Heist Film -- September 11 as Heist -- Select Filmography -- Works Cited -- Contributors -- Index
N2  - Explores the significance of the heist film genre
UR  - https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5558734
ER  -