TY  - BOOK
AU  - Crisci-Richardson,Roberta
TI  - Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834-1917)
SN  - 9781443879330
AV  - ND553 .D3 
U1  - 759.4 
PY  - 2015///
CY  - Newcastle-upon-Tyne
PB  - Cambridge Scholars Publishing
KW  - Dance in art
KW  - Degas, Edgar, 1834-1917 -- Criticism and interpretation
KW  - Degas, Edgar, 1834-1917
KW  - Impressionism (Art) -- Themes, motives
KW  - Impressionist artists
KW  - Electronic books
N1  - Intro -- TABLE OF CONTENTS -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- CHAPTER ONE -- CHAPTER TWO -- CHAPTER THREE -- CHAPTER FOUR -- CHAPTER FIVE -- CHAPTER SIX -- CHAPTER SEVEN -- CHAPTER EIGHT -- CHAPTER NINE -- CHAPTER TEN -- CONCLUSION -- BIBLIOGRAPHY -- INDEX
N2  - The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas’s approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas
UR  - https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2076535
ER  -