Cover -- Contents -- Dedication -- Introduction -- Subjects of Desire -- Hagio Moto's Nuclear Manga and the Promise of Eco-Feminist Desire -- Where Is My Place in the World? Early Shojo Manga Portrayals of Lesbianism -- Between Men, Androids, and Robots: Assaying Mechanical Man in Meiji Literature and Visual Culture -- Bodies in Motion -- Carbon as Creation: On Tsuji Naoyuki's Charcoal Anime -- Powers of (Dis)Ability: Toward a Bodily Origin in Mushishi -- South Korea and the Sub-Empire of Anime: Kinesthetics of Subcontracted Animation Production -- Boundaries -- Japanese Cartoon Films -- From Street Corner to Living Room: Domestication of TV Culture and National Time/Narrative -- Hyperbolic Nationalism: South Korea's Shadow Animation Industry -- Conceptualizing Anime and the Database Fantasyscape -- Rescripting History -- Rebranding Himiko, the Shaman Queen of Ancient History -- Tezuka's Buddha at the Tokyo National Museum: An Interview with Matsumoto Nobuyuki -- Genesis at the Shrine: The Votive Art of an Anime Pilgrimage -- Repetition, Remediation, Adaptation -- The Girl at the Center of the World: Gender, Genre, and Remediation in Bishojo Media Works -- The Localization of Kiki's Delivery Service -- Franchising and Failure: Discourses of Failure within the Japanese-American Speed Racer Franchise -- Evangelion as Second Impact: Forever Changing That Which Never Was -- From Ground Zero to Degree Zero: Akira from Origin to Oblivion -- Contributors.
9781452943657
Animated films -- Japan -- History and criticism. Animated television program -- Japan -- History and criticism.