TY  - BOOK
AU  - Jeansonne,Glen
AU  - Luhrssen,David
TI  - War on the Silver Screen: Shaping America's Perception of History
SN  - 9781612346427
AV  - PN1995.9.W3 .J35 2014 
U1  - 791.43/6581 
PY  - 2014///
CY  - Dulles
PB  - Potomac Books Inc.
KW  - War films-United States-History and criticism
KW  - History in motion pictures
KW  - Electronic books
N1  - Cover Page -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- 1. World War I (1914-1918) -- All Quiet on the Western Front (1930) -- Paths of Glory (1957) -- Lawrence of Arabia (1962) -- Gallipoli (1981) -- 2. World War II (1939-1945) -- Casablanca (1942) -- Saboteur (1942) and The Best Years of Our Lives (1946) -- Twelve O'Clock High (1949) -- Patton (1970) -- Schindler's List (1993) -- Flags of Our Fathers (2006) and Letters from Iwo Jima (2006) -- 3. The Cold War (1947-1991), including the Korean War (1950-1953) and the Vietnam War (1955-1975) -- The Manchurian Candidate (1962) -- From Russia with Love (1963) -- Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb (1964) and Fail-Safe (1964) -- Apocalypse Now (1979) -- Charlie Wilson's War (2007) -- 4. The War on Terror (2001-) -- United 93 (2006) -- The Hurt Locker (2008) and Zero Dark Thirty (2012) -- Notes -- Bibliography
N2  - Americans have been almost constantly at war since 1917. In addition to two world wars, the United States has fought proxy wars, propaganda wars, and a "war on terror," among others. But even with the constant presence of war in American life, much of what Americans remember about those conflicts comes from Hollywood depictions. In War on the Silver Screen Glen Jeansonne and David Luhrssen vividly demonstrate how war movies have burned the images and impressions of those wars onto the American psyche more concretely than has the reality of the wars themselves. That is, our feelings about wars are generated less by what we learn through study and discourse than by powerful cinematic images and dialogue. Films are compressed, intense, and immediate and often a collective experience rather than a solitary one. Actors and drama provide the visceral impact necessary to form perceptions of history that are much more enduring than those generated by other media or experiences. War on the Silver Screen draws on more than a century of films and history, including classics such as All Quiet on the Western Front , Apocalypse Now , and The Hurt Locker , to examine the legacy of American cinema on twentieth- and twenty-first-century attitudes about war
UR  - https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1782668
ER  -