Filippino Lippi : Beauty, Invention and Intelligence.
- 1st ed.
- 1 online resource (407 pages)
- NIKI Studies in Netherlandish-Italian Art History Series ; v.13 .
- NIKI Studies in Netherlandish-Italian Art History Series .
Intro -- Contents -- Director's Remarks -- Michael W. Kwakkelstein -- Acknowledgements -- Illustrations -- Notes on Contributors -- Introduction -- Paula Nuttall -- The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868) -- Jonathan K. Nelson -- Filippino in Botticelli's Workshop -- Michelle O'Malley -- Visible Rays in Filippino's London Adoration of the Magi -- Paul Hills -- Filippino Lippi's Lucchese Patrons -- Geoffrey Nuttall -- The Virgin at the Well in Filippino's San Gimignano Annunciation -- Joost Joustra -- '... Di naturale tanto bene che non pare che gli manchi se non la parola.' Filippino Lippi pittore di ritratti -- Patrizia Zambrano -- From Reiteration to Dialogue: Filippino's Responses to Netherlandish Painting -- Paula Nuttall -- Annunciation and Assumption: Notes on a Particular Constellation in the Carafa Chapel -- Johannes Grave -- The Temporary and the Temporal: Suspense in the Strozzi Chapel -- Alison Wright -- Gli affreschi di Filippino Lippi nella Cappella Strozzi a Santa Maria Novella a Firenze: il restauro e la tecnica -- Alessandra Popple e Cristiana Conti -- Never Being Boring: Filippino Lippi, Michelangelo and the Concept of Chapel Decoration -- Charles Robertson -- Reconsidering Lucchese Painting after Filippino -- Christopher Daly -- 'L'un des plus grands maîtres de l'école florentine': Filippino Lippi and His Workshop in French Collections -- Matteo Gianeselli -- Sfortuna di Raffaellino del Garbo -- Alessandro Cecchi -- Appendix: A Note on the Identification of the Saints in the Background of the London Adoration of the Magi -- Photographic Credits -- Index.
This volume explores diverse aspects of Filippino Lippi's art; his role in Botticelli's workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel; his immediate artistic legacy and nineteenth-century critical reception.