COVER front -- Copyright Page -- Table of Contents -- List of Illustrations -- Introduction -- Notes to Introduction -- Chapter 1: Animals at the Table: Performing Meat in Early Modern England and Europe -- Notes to Chapter 1 -- Chapter 2: Intra-Active Performativity: Rethinking the Early Modern Equestrian Portrait -- Notes to Chapter 2 -- Chapter 3: Past Performances: Gleanings from the Archives About Early Modern Equine Athletic Performance -- Notes to Chapter 3 -- Chapter 4: "I See Them Galloping!": War, Affect, and Performing Horses in Matthew Lewis's Timour the Tartar -- Notes to Chapter 4 -- Chapter 5: Peaceable Kingdom: The Place of the Dog at the Nativity Scene -- Notes to Chapter 5 -- Chapter 6: Performing Pain: The Suffering Animal in Early Modern Experiment -- Notes on Chapter 6 -- Chapter 7: Circus Minimus: The Early Modern Theater of Insects -- Notes on Chapter 7 -- Chaper 8: Shakespeare's Insect Theater: Fairy Lore as Elizabethan Folk Entomology -- Notes to Chapter 8 -- Chapter 9: Miss Mazeppa and the Horse with No Name -- Notes to Chapter 9 -- Chapter 10: Horses Queer the Stage and Society of Shenandoah -- Notes to Chapter 10 -- Bibliography -- Contributors -- Index -- COVER Back.
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Human-animal relationships in the performing arts-History.