TY  - BOOK
AU  - Gillick,Liam
TI  - Industry and Intelligence: Contemporary Art Since 1820
T2  - Bampton Lectures in America
SN  - 9780231540964
AV  - N6490.G485 2016eb 
U1  - 709.04 
PY  - 2016///
CY  - New York
PB  - Columbia University Press
KW  - Art, Modern - Themes, motives
KW  - Electronic books
N1  - Intro -- Table of Contents -- Acknowledgments -- Introduction: Creative Disruption in the Age of Soft Revolutions -- 1. Contemporary Art Does Not Account for That Which Is Taking Place -- 2. Projection and Parallelism -- 3. Art as a Pile: Split and Fragmented Simultaneously -- 4. 1820: Erasmus and Upheaval -- 5. ASAP Futures, Not Infinite Future -- 6. 1948: B. F. Skinner and Counter-Revolution -- 7. Abstract -- Photo Section -- 8. 1963: Herman Kahn and Projection -- 9. The Complete Curator -- 10. Maybe It Would Be Better If We Worked in Groups of Three? -- 11. The Return of the Border -- 12. 1974: Volvo and the Mise-en-Scène -- 13. The Experimental Factory -- 14. Nostalgia for the Group -- 15. Why Work? -- Notes -- Index
N2  - The conceptual artist Liam Gillick writes a genealogy of contemporary art, arguing that we need to appreciate its engagement with history. He takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology
UR  - https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4389050
ER  -