TY  - BOOK
AU  - Réveillac,Jean-Michel
TI  - Electronic Music Machines: The New Musical Instruments
SN  - 9781119618119
AV  - ML1092 .R484 2019 
U1  - 786.7 
PY  - 2019///
CY  - Newark
PB  - John Wiley & Sons, Incorporated
KW  - Electronic musical instruments
KW  - Electronic books
N1  - Cover -- Half-Title Page -- Title Page -- Copyright Page -- Contents -- Foreword -- Preface -- Target audience -- Organization and contents of this book -- Conventions -- Acknowledgments -- Introduction -- 1. Electronic Music -- 1.1. Musique concrète -- 1.2. The beginnings of electronic music -- 1.3. Electroacoustic music -- 1.4. Acousmatic music -- 1.5. And much, much more -- 1.6. Maturity -- 1.7. Different paths to music -- 1.8. Today and tomorrow -- 1.9. Electronic music and counter-culturalism -- 1.10. Final remarks -- 2. When Revolution HoldsUs in Its Grasp -- 2.1. From analog to digital -- 2.2. Popular music and electronic music -- 2.2.1. New wave -- 2.2.2. House music -- 2.2.3. Techno -- 2.2.4. New beat -- 2.2.5. Acid house -- 2.2.6. Acid jazz -- 2.2.7. Ambient -- 2.2.8. Hip-hop and rap -- 2.2.9. Trance -- 2.2.10. Electro or contemporary electro -- 2.3. Final remarks -- 3. The MIDI Standard -- 3.1. History -- 3.2. How MIDI works -- 3.2.1. The hardware level -- 3.2.2. The software level -- 3.3. Examples of MIDI transmission -- 3.3.1. Note-on/note-off messages -- 3.3.2. Program change message -- 3.4. The MIDI implementation chart -- 3.5. The General MIDI standard -- 3.5.1. Specifications -- 3.6. The General MIDI 2 standard -- 3.7. The GS format -- 3.8. The XG format -- 3.9. The structure of a MIDI file -- 3.9.1. Header chunks -- 3.9.2. Track chunks -- 3.9.3. Example of a MIDI file -- 3.10. MIDI devices -- 3.10.1. MIDI boxes, mergers, and patchers -- 3.10.2. Musical instruments -- 3.10.3. Studio hardware -- 3.10.4. MIDI to computer -- 3.11. Conclusion -- 4. Sequencers -- 4.1. Mechanical and electrical machines -- 4.1.1. Music boxes -- 4.1.2. Mechanical pianos -- 4.1.3. Barrel organs -- 4.1.4. Fairground organs -- 4.2. Analog sequencers -- 4.3. Digital sequencers -- 4.4. Software sequencers -- 4.5. Final remarks -- 5. Drum Machines; 5.1. On the subject of electromechanical rhythm -- 5.2. Drum machines with presets -- 5.3. Programmable drum machines -- 5.4. The MIDI age -- 5.5. Drum machines with sampled sounds -- 5.6. Rhythms, software, and computers -- 5.7. Final remarks -- 6. Samplers -- 6.1. History of samplers -- 6.1.1. Basic principles -- 6.1.2. The arrival of the Mellotron -- 6.1.3. Samplers -- 6.1.4. Software samplers -- 6.2. History of musical styles -- 6.3. Architecture and principles -- 6.4. Final remarks -- 7. Groove Machines -- 7.1. Structure -- 7.2. Famous groove machines -- 7.2.1. E-mu SP12 (1985) -- 7.2.2. AKAI MPC-60 (1988) -- 7.2.3. Roland MC-303 (1996) -- 7.2.4. AKAI MPC 2000XL (1999) -- 7.2.5. Roland MC-909 (2003) -- 7.2.6. Elektron Octatrack DPS 1 (2011) -- 7.2.7. Korg Electribe 2 (2014) and Korg Electribe Sampler (2015) -- 7.2.8. Novation Circuit (2015) -- 7.2.9. Teenage Electronics Pocket Operator PO-32 (2017) -- 7.3. Software groove machines -- 7.3.1. Image Line Groove Machine -- 7.3.2. Propellerhead Reason -- 7.3.3. Ableton Live -- 7.4. Controllers and software -- 7.4.1. Native Instruments Maschine (2009) -- 7.4.2. Roland MPC Studio Black (2017) -- 7.5. iGroove machines -- 7.6. Final remarks -- 8. Vocoders -- 8.1. History -- 8.2. Working principle of the vocoder -- 8.3. Machines and equipment -- 8.3.1. EMS Vocoder 2000 -- 8.3.2. EMS Vocoder 5000 -- 8.3.3. EMS Vocoder 3000 -- 8.3.4. Roland VP-330 -- 8.3.5. Korg VC-10 -- 8.3.6. Moog Vocoder -- 8.3.7. Roland SVC-350 -- 8.3.8. Electrix Warp Factory -- 8.3.9. Korg MS2000 -- 8.3.10. Microkorg -- 8.3.11. Roland VP-550 -- 8.3.12. The Music and More VF11 -- 8.3.13. Novation Mininova -- 8.3.14. Digitech Talker -- 8.3.15. Electro-Harmonix V256 -- 8.3.16. A few more unusual examples -- 8.4. Software vocoders -- 8.5. One step further -- 8.5.1. Talkbox -- 8.5.2. Auto-Tune -- 8.6. Final remarks; 9. Octatrack: Maintenance, Repairs, and Tips -- 9.1. Updating the software -- 9.1.1. Updating the operating system -- 9.2. Testing the OT -- 9.2.1. Testing the push buttons -- 9.2.2. Testing the dials -- 9.2.3. Testing the x-fader -- 9.2.4. Analysis and results -- 9.3. Hardware repairs -- 9.3.1. Opening up the OT -- 9.3.2. Replacing the push buttons -- 9.3.3. Replacing the battery -- 9.3.4. Replacing the x-fader -- 9.3.5. Replacing an incremental encoder -- 9.4. Final remarks -- 10. Octatrack: MIDI Sequences and Arpeggios -- 10.1. Setup and configuration -- 10.1.1. Connections and software settings -- 10.1.2. Creating a new project -- 10.1.3. Creating a THRU device (machine) -- 10.1.4. Setting up the MIDI connection between the OT and the instrument -- 10.2. Creating a MIDI sequence using triggers -- 10.2.1. MIDI track -- 10.2.2. Creating a musical sequence -- 10.2.3. A multi-page sequence -- 10.3. Creating a sequence with the arpeggiator -- 10.3.1. Presentation of the arpeggiator -- 10.3.2. A simple arpeggio -- 10.3.3. Defining an arpeggio graphically -- 10.3.4. More complex arpeggios -- 10.3.5. Triggers in chromatic mode -- 10.3.6. Saving a MIDI sequence from an external instrument -- 10.4. Creating a MIDI sequence with a drum machine -- 10.5. MIDI sequences, rhythms, and CC codes -- 11. Korg Electribe: Maintenance and Hardware Tips -- 11.1. Overview -- 11.1.1. Electribe 2 -- 11.1.2. Electribe Sampler -- 11.2. MIDI cables -- 11.2.1. Male 3.5 mm jack to female 5-pin DIN adapter -- 11.2.2. Male 3.5 mm jack to male 5-pin DIN cable -- 11.3. Updating the operating system -- 11.4. Electribe 2 to Electribe Sampler -- 11.4.1. Migrating to the Electribe Sampler -- 11.4.2. Reverting to the Electribe 2 -- 11.4.3. Downgrading the Electribe -- 11.4.4. Editing the operating system files -- 11.4.5. Major operating system versions of the Electribe 2; 11.5. Conclusion -- 12. Korg Electribe: Software Tips -- 12.1. Menu tree of the Electribe 2 and the Electribe Sampler -- 12.2. Shortcuts -- 12.3. Using the audio input -- 12.3.1. Through the Electribe -- 12.3.2. Saving a carrier pattern -- 12.3.3. Filtering and applying effects -- 12.3.4. Sending commands to the synthesizer using triggers -- 12.3.5. Sequencer, synthesizer, filters, and effects -- 12.4. Extra tips -- 12.4.1. Octave switching -- 12.4.2. Viewing the current settings of a PART -- 12.4.3. Controlling two different synthesizers from the MIDI out -- 12.5. Final remarks -- Conclusion -- Appendices -- Appendix 1: CV/Gate -- A1.1. Introduction -- A1.2. History -- A1.3. Theoretical principle -- A1.4. Calculating the voltages and frequencies of notes -- A1.4.1. Volts per octave -- A1.4.2. Hertz per volt -- A.1.5. Theoretical principle of the gate (or trigger) -- Appendix 2: Digital Inputs/Outputs -- A2.1. Introduction -- A2.2. S/PDIF -- A2.3. AES/EBU -- A2.4. ADAT -- A2.5. TDIF -- A2.6. SMPTE -- A2.7. SCSI -- A2.8. IDE -- A2.9. USB -- A2.10. Conclusion -- Appendix 3: The General MIDI (GM) Standard -- A3.1. Introduction -- A3.2. Instrument groups -- A3.3. Instruments -- A3.4. Percussion sounds -- Appendix 4: Plugins -- A4.1. Software plugins -- Appendix 5: Control and MIDI Dump Software -- A5.1. Introduction -- A5.2. Software for Mac OS -- A.5.2.1. MIDI Loupe -- A.5.2.2. MIDI Monitor -- A.5.2.3. SysEx Librarian -- A5.3. Software for Microsoft Windows -- A5.3.1. MIDI OX -- A5.3.2. MIDI Monitor -- A5.4. Final remarks -- Bibliography -- Internet links -- Manufacturers and software publishers -- Vintage electronic instruments -- Music boxes, barrel organs, Limonaire &amp -- fairground organs -- Vocoders -- Samplers -- Electronic music, musique concrète, electroacoustic music -- Drum machines and groove machines -- General-purpose websites; Interfaces and communication -- MIDI -- Miscellaneous video tutorials -- Index -- Other titles from iSTE in Waves -- EULA
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