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Multicultural Comics : From Zap to Blue Beetle.

By: Contributor(s): Material type: TextTextSeries: Cognitive Approaches to Literature and Culture SeriesPublisher: Austin : University of Texas Press, 2010Copyright date: ©2010Edition: 1st edDescription: 1 online resource (272 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780292784840
Subject(s): Genre/Form: Additional physical formats: Print version:: Multicultural ComicsDDC classification:
  • 741.5/355
LOC classification:
  • PN6714
Online resources:
Contents:
Intro -- Contents -- Foreword -- Or Reading Withing the Gutter -- Multicultural Comics Today: A Brief Introduction -- PART I. History, Concepts, and Methods -- Chapter One. Race and Comix -- Chapter Two. "Authentic" Latinas/os and Queer Characters in Mainstream and Alternative Comics -- Chapter Three. Native American Narratives from Early Art to Graphic Novels: How We See Stories/Ezhi-g'waabamaanaanig Aadizookaanag -- Chapter Four. Liminality and Mestiza Consciousness in Lynda Barry's One Hundred Demons -- Chapter Five. Black Nationalism, Bunraku, and Beyond: Articulating Black Heroism through Cultural Fusion and Comics -- Chapter Six. Birth of a Nation: Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al. -- Chapter Seven. Lost in Translation: Jessica Abel's La Perdida, the Bildungsroman, and "That 'Mexican' Feel -- Chapter Eight. Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim -- PART II. A Multicultural Comic Book Toolbox -- Chapter Nine. "It Ain't John Shaft": Marvel Gets Multicultural in The Tomb of Dracula -- Chapter Ten. Invisible Art, Invisible Planes, Invisible People -- Chapter Eleven. Wondrous Capers: The Graphic Novel in India -- Chapter Twelve. Chronology, Country, and Consciousness in Wilfred Santiago's In My Darkest Hour -- Chapter Thirteen. Finding Archives/Making Archives: Observations on Conducting Multicultural Comics Research -- Works Cited -- Contributor Notes -- Index.
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Intro -- Contents -- Foreword -- Or Reading Withing the Gutter -- Multicultural Comics Today: A Brief Introduction -- PART I. History, Concepts, and Methods -- Chapter One. Race and Comix -- Chapter Two. "Authentic" Latinas/os and Queer Characters in Mainstream and Alternative Comics -- Chapter Three. Native American Narratives from Early Art to Graphic Novels: How We See Stories/Ezhi-g'waabamaanaanig Aadizookaanag -- Chapter Four. Liminality and Mestiza Consciousness in Lynda Barry's One Hundred Demons -- Chapter Five. Black Nationalism, Bunraku, and Beyond: Articulating Black Heroism through Cultural Fusion and Comics -- Chapter Six. Birth of a Nation: Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al. -- Chapter Seven. Lost in Translation: Jessica Abel's La Perdida, the Bildungsroman, and "That 'Mexican' Feel -- Chapter Eight. Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim -- PART II. A Multicultural Comic Book Toolbox -- Chapter Nine. "It Ain't John Shaft": Marvel Gets Multicultural in The Tomb of Dracula -- Chapter Ten. Invisible Art, Invisible Planes, Invisible People -- Chapter Eleven. Wondrous Capers: The Graphic Novel in India -- Chapter Twelve. Chronology, Country, and Consciousness in Wilfred Santiago's In My Darkest Hour -- Chapter Thirteen. Finding Archives/Making Archives: Observations on Conducting Multicultural Comics Research -- Works Cited -- Contributor Notes -- Index.

No detailed description available for "Multicultural Comics".

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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