Ethnographic Film : Revised Edition.

Intro -- Contents -- Preface -- Acknowledgments -- 1. INTRODUCTION -- Toward a Definition: The Nature of the Category "Ethnographic Film" -- The Nature of Ethnography -- The Differing Natures of Ethnography and Film -- Truth" in Film and Ethnography -- 2. A HISTORY OF ETHNOGRAPHIC FILM -- Background Factors -- Prehistory: The Explorers -- Grass -- Scripted Fictional Films -- Bateson and Mead in Bali and New Guinea -- Jean Rouch -- John Marshall -- Robert Gardner -- Timothy Asch -- University of California American Indian Series -- The Netsilik Eskimo Project -- Australia -- The Natives' View -- Institutionalization of Ethnographic Film -- 3. THE ATTRIBUTES OF ETHNOGRAPHIC FILM -- The Attributes -- Additional Principles -- The Attributes as Dimensions -- 4. MAKING ETHNOGRAPHIC FILM -- The Ethics of Ethnographic Filmmaking -- An Ethnographic Film Must Be Based on Ethnographic Understanding -- An Ethnographic Film Must Exploit the Visual Potential of Film -- Whole Bodies, Whole Interactions, and Whole People in Whole Acts -- Division of Labor -- The Meaning of Real Collaboration -- An Ethnographic Film Cannot Stand by Itself -- Ethnographic Films from Research Footage -- Preservation of the Film Record -- 5. THE USE OF ETHNOGRAPHIC FILMS IN TEACHING -- Films and Background Reading -- Strategies -- APPENDIX: A Brief Descriptive Catalog of Films -- Bibliography -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.