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Latino Images in Film : Stereotypes, Subversion, and Resistance.

By: Contributor(s): Material type: TextTextSeries: Texas Film and Media Studies SeriesPublisher: Austin : University of Texas Press, 2002Copyright date: ©2002Edition: 1st edDescription: 1 online resource (329 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780292798229
Subject(s): Genre/Form: Additional physical formats: Print version:: Latino Images in FilmDDC classification:
  • 791.43/6520368
LOC classification:
  • PN1995
Online resources:
Contents:
Intro -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- Part One: THEORY -- One: CATEGORIZING THE OTHER: Stereotypes and Stereotyping -- Two: STEREOTYPES IN FILM -- Three: A CRASH COURSE ON HOLLYWOOD'S LATINO IMAGERY -- Four: SUBVERSIVE ACTS Latino Actor Case Studies -- Part Two: THE HOLLYWOOD VERSION: Latino Representation in Mainstream Cinema -- Five:BORDERTOWN, THE ASSIMILATION NARRATIVE, AND THE CHICANO SOCIAL PROBLEM FILM -- Six: THE MARGIN AS CENTER: The Multicultural Dynamics of John Ford's Westerns -- Seven: IMMIGRANTS, ALIENS, AND EXTRATERRESTRIALS: Science Fiction's Alien "Other" as (among Other Things) New Hispanic Imagery -- Part Three: LATINO SELF-REPRESENTATION -- Backstory: CHICANO AND LATINO FILMMAKERS BEHIND THE CAMERA -- Eight: EL GENIO DEL GÉNERO: Mexican American Borderland Documentaries and Postmodernism -- Nine: ETHNIC INGENUITY AND MAINSTREAM CINEMA: Robert Rodríguez's Bedhead (1990) and El Mariachi (1993) -- Ten: THE MARIACHI AESTHETIC GOES TO HOLLYWOOD: An Interview with Robert Rodríguez -- Conclusion: THE END OF STEREOTYPES? -- NOTES -- INDEX.
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Intro -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- Part One: THEORY -- One: CATEGORIZING THE OTHER: Stereotypes and Stereotyping -- Two: STEREOTYPES IN FILM -- Three: A CRASH COURSE ON HOLLYWOOD'S LATINO IMAGERY -- Four: SUBVERSIVE ACTS Latino Actor Case Studies -- Part Two: THE HOLLYWOOD VERSION: Latino Representation in Mainstream Cinema -- Five:BORDERTOWN, THE ASSIMILATION NARRATIVE, AND THE CHICANO SOCIAL PROBLEM FILM -- Six: THE MARGIN AS CENTER: The Multicultural Dynamics of John Ford's Westerns -- Seven: IMMIGRANTS, ALIENS, AND EXTRATERRESTRIALS: Science Fiction's Alien "Other" as (among Other Things) New Hispanic Imagery -- Part Three: LATINO SELF-REPRESENTATION -- Backstory: CHICANO AND LATINO FILMMAKERS BEHIND THE CAMERA -- Eight: EL GENIO DEL GÉNERO: Mexican American Borderland Documentaries and Postmodernism -- Nine: ETHNIC INGENUITY AND MAINSTREAM CINEMA: Robert Rodríguez's Bedhead (1990) and El Mariachi (1993) -- Ten: THE MARIACHI AESTHETIC GOES TO HOLLYWOOD: An Interview with Robert Rodríguez -- Conclusion: THE END OF STEREOTYPES? -- NOTES -- INDEX.

No detailed description available for "Latino Images in Film".

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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