National Healing : Race, State, and the Teaching of Composition.

Intro -- Contents -- Acknowledgments -- New Orleans: A Prayer -- I. Cage : The Provincial Composition -- Learning New Ways #1 -- Making a Past a Past and a Life a Life -- 1975 -- The Most Important Class -- 1980 -- Speaking of Love -- "It Had Better Be Worth It" -- The Use and Abuse of History -- A New Beginning -- The Babel Effect -- A Question of Service -- More Than One -- International Composition #1 -- No New Colonialism, Then -- Transcending Transnationalism? -- International Composition #2 -- And to Go Beyond the Words -- The Styles -- Rhetorical Boundaries and Agency -- Part of the Story -- Rhetorical Traditions: A Statement about Methodology -- For Instance, a Mindful Rhetoric -- Voices from the Dark -- Voices from the Light -- Museum Pieces -- Oh, Multicultural America -- A Recent History, a Decent Future -- What Will the Yard Sales Say? -- II. Circulations : The Composing of Composition -- Why Ezra? -- Nationalism -- Is It Patriotism or Is It Nationalism? -- Critical Literacy -- A Decent Nation -- A Nation's Cultural Centrism -- When You Do the Research -- The Global Nothing -- And So? -- In Other Words, It Carries Over -- III. Key: The Composition Classroom -- Exhibit A -- What Are You Burning to Tell the World? -- The Class Workshop -- Books -- Why a Book? -- Forewords -- Ubuntu: Rhetorical Principles at Work -- Mindful Teaching -- When We Compose -- National Recalcitrance -- There Is No Rhetoric, but There Is Hope -- The International Sustainable Literacy Project -- IV. Uncaged: The International Future of Composition -- Mistakes and Beyond -- International Composition #3 -- On the Road with International Composition -- World Englishes -- World Compositions -- Securing Composition -- Saving the Planet -- Learning New Ways #2 -- Coda -- References -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.