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Plagiarism and Literary Property in the Romantic Period.

By: Material type: TextTextSeries: Material TextsPublisher: Philadelphia : University of Pennsylvania Press, 2006Copyright date: ©2007Edition: 1st edDescription: 1 online resource (251 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780812202731
Subject(s): Genre/Form: Additional physical formats: Print version:: Plagiarism and Literary Property in the Romantic PeriodDDC classification:
  • 821.709145
LOC classification:
  • PR590 -- .M39 2007eb
Online resources:
Contents:
Cover -- Title -- Copyright -- Contents -- List of Abbreviations -- Preface -- 1 Romantic Plagiarism and the Critical Inheritance -- 2 Coleridge, Plagiarism, and Narrative Mastery -- 3 Property and the Margins of Literary Print Culture -- 4 "The Slip-Shod Muse": Byron, Originality, and Aesthetic Plagiarism -- 5 Monstrosities Strung into an Epic: Travel Writing and the Defense of "Modern" Poetry -- 6 Poaching on the Literary Estate: Class, Improvement, and Enclosure -- Afterword -- Notes -- Bibliography -- Index -- Acknowledgments.
Summary: Were the Romantic poets plagiarists, and did plagiarism have the same meaning two hundred years ago as it has today? Tilar J. Mazzeo offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests.
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Cover -- Title -- Copyright -- Contents -- List of Abbreviations -- Preface -- 1 Romantic Plagiarism and the Critical Inheritance -- 2 Coleridge, Plagiarism, and Narrative Mastery -- 3 Property and the Margins of Literary Print Culture -- 4 "The Slip-Shod Muse": Byron, Originality, and Aesthetic Plagiarism -- 5 Monstrosities Strung into an Epic: Travel Writing and the Defense of "Modern" Poetry -- 6 Poaching on the Literary Estate: Class, Improvement, and Enclosure -- Afterword -- Notes -- Bibliography -- Index -- Acknowledgments.

Were the Romantic poets plagiarists, and did plagiarism have the same meaning two hundred years ago as it has today? Tilar J. Mazzeo offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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