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The Supermarket of the Visible : Toward a General Economy of Images.

By: Contributor(s): Material type: TextTextSeries: Thinking Out Loud SeriesPublisher: New York : Fordham University Press, 2019Copyright date: ©2019Edition: 1st edDescription: 1 online resource (175 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780823283590
Subject(s): Genre/Form: Additional physical formats: Print version:: The Supermarket of the VisibleDDC classification:
  • 791.4301
LOC classification:
  • PN1995 .S946 2019
Online resources:
Contents:
Cover -- The Supermarket of the Visible -- Title -- Copyright -- CONTENTS -- Sydney Lectures -- 1. Money, or The Other Side of Images -- 2. The Point of (No) Exchange, or The Debt-Image -- 3. Innervation, or The Gaze of Capital -- Additional Features -- Merchandise: Godzilla's Eye -- Deleted Scenes: Doors and Slide Changers in Pickpocket and Obsession -- Deleted Scenes: Three Variations on Time and Money (Antonioni, De Palma, Bresson) -- Photo Gallery: Blow-Up, or Why There Are No Images -- Locations: 23, rue Bénard, Paris, 75014 -- Deleted Scene: The Fluctuations of the Unchained Camera (L'Herbier) -- Deleted Scenes: The General Fetishism of the Marxes -- Deleted Scenes: The Amortization of the Gaze (King Kong) -- Formats: Surplus Definition (Redacted) -- Credits -- Notes -- Index -- AUTHOR BIOS.
Summary: The Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics.
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Cover -- The Supermarket of the Visible -- Title -- Copyright -- CONTENTS -- Sydney Lectures -- 1. Money, or The Other Side of Images -- 2. The Point of (No) Exchange, or The Debt-Image -- 3. Innervation, or The Gaze of Capital -- Additional Features -- Merchandise: Godzilla's Eye -- Deleted Scenes: Doors and Slide Changers in Pickpocket and Obsession -- Deleted Scenes: Three Variations on Time and Money (Antonioni, De Palma, Bresson) -- Photo Gallery: Blow-Up, or Why There Are No Images -- Locations: 23, rue Bénard, Paris, 75014 -- Deleted Scene: The Fluctuations of the Unchained Camera (L'Herbier) -- Deleted Scenes: The General Fetishism of the Marxes -- Deleted Scenes: The Amortization of the Gaze (King Kong) -- Formats: Surplus Definition (Redacted) -- Credits -- Notes -- Index -- AUTHOR BIOS.

The Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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