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Dead Ringers : The Remake in Theory and Practice.

By: Contributor(s): Material type: TextTextSeries: SUNY Series, Cultural Studies in Cinema/Video SeriesPublisher: Albany : State University of New York Press, 2001Copyright date: ©2012Edition: 1st edDescription: 1 online resource (382 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780791489635
Genre/Form: Additional physical formats: Print version:: Dead RingersDDC classification:
  • 791.43/75
LOC classification:
  • PN1995.9.R45 -- D43 2002eb
Online resources:
Contents:
Intro -- DEADRINGERS: The Remake in Theory and Practice -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- 1. Reviewing Remakes: An Introduction -- 2. Twice-Told Tales: Disavowal and the Rhetoric of the Remake -- 3. Economy and Aesthetics in American Remakes of French Films -- 4. The "Personal" Touch: The Original, the Remake, and the Dupe in Early Cinema -- 5. Sound Strategies: Lang's Rearticulation of Renoir -- 6. The Raven and the Nanny: The Remake as Crosscultural Encounter -- 7. Sadie Thompson Redux: Postwar Reintegration of the Wartime Wayward Woman -- 8. Hiring Practices: Simenon/Duvivier/Leconte -- 9. Twice Two: The Fly and Invasion ofthe Body Snatchers -- 10. Three Takes On Motherhood, Masculinity, and Marriage: Serreau's Trois Hommes et un couffin, Nimoy's Remake, and Ardolino's Sequel -- 11. Pretty Woman with a Gun: La Femme Nikita andthe Textual Politics of "The Remake" -- APPENDIX A: Remaking Le Voile bleu: An Interview with Norman Corwin, Screenwriter for The Blue Veil -- APPENDIX B: Norman Corwin Letter to Jerry Wald -- CONTRIBUTORS -- FILM TITLE INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z -- NAME AND SUBJECT INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- T -- U -- V -- W -- X -- Y -- Z.
Summary: Addresses the important role of remakes in film culture, from early cinema to contemporary Hollywood.
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Intro -- DEADRINGERS: The Remake in Theory and Practice -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- 1. Reviewing Remakes: An Introduction -- 2. Twice-Told Tales: Disavowal and the Rhetoric of the Remake -- 3. Economy and Aesthetics in American Remakes of French Films -- 4. The "Personal" Touch: The Original, the Remake, and the Dupe in Early Cinema -- 5. Sound Strategies: Lang's Rearticulation of Renoir -- 6. The Raven and the Nanny: The Remake as Crosscultural Encounter -- 7. Sadie Thompson Redux: Postwar Reintegration of the Wartime Wayward Woman -- 8. Hiring Practices: Simenon/Duvivier/Leconte -- 9. Twice Two: The Fly and Invasion ofthe Body Snatchers -- 10. Three Takes On Motherhood, Masculinity, and Marriage: Serreau's Trois Hommes et un couffin, Nimoy's Remake, and Ardolino's Sequel -- 11. Pretty Woman with a Gun: La Femme Nikita andthe Textual Politics of "The Remake" -- APPENDIX A: Remaking Le Voile bleu: An Interview with Norman Corwin, Screenwriter for The Blue Veil -- APPENDIX B: Norman Corwin Letter to Jerry Wald -- CONTRIBUTORS -- FILM TITLE INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z -- NAME AND SUBJECT INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- T -- U -- V -- W -- X -- Y -- Z.

Addresses the important role of remakes in film culture, from early cinema to contemporary Hollywood.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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