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Locating Cultural Creativity.

By: Material type: TextTextSeries: Anthropology, Culture and Society SeriesPublisher: London : Pluto Press, 2001Copyright date: ©2001Edition: 1st edDescription: 1 online resource (186 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781849641012
Subject(s): Genre/Form: Additional physical formats: Print version:: Locating Cultural CreativityDDC classification:
  • 306
LOC classification:
  • GN453 -- .L63 2000eb
Online resources:
Contents:
Intro -- CONTENTS -- Acknowledgements -- Introduction -- MODERNITY,THE WORLD SYSTEM AND CREATIVITY -- CREATIVE DESTRUCTION -- MODES OF CREATIVITY -- METHODS OF CREATIVITY -- CONDITIONS OF CREATIVITY -- MOTIVATION AND EXPERIENCE -- CONTENT OF THE BOOK -- CONCLUSION -- NOTES -- REFERENCES -- PART I: CREATIVITY IN ACTION AND ANALYSIS -- 1. Creative Arguments of Images in Culture, and the Charnel House of Conventionality -- CIVILIZED TIMES,THEIR CONVENTIONS,THEIR 'JEU D 'ESPRIT ' AND THEIR LANGUAGE GAMES -- IF 'CHEMISTS HAVE THE SOLUTIONS ' WHO IS BEING CREATIVE HERE?? THE PLAY OF TROPES IN UNCONVENTIONAL CIRCUMSTANCES -- WHERE CREATIVITY LIES:THE STRUCTURE OF CREATIVE METAPHOR AND THE DYNAMIC OF THE CATEGORICAL -- AFRICAN SERMONIZERS:THE TRANSCENDENT (WORLD-SHAKING) IMPLICATIONS OF CREATIVE ARGUMENT -- CREATIVE ANTHROPOLOGICAL ARGUMENT IN IMAGES OF CULTURE -- CONCLUSION:THE LOCATIVE AND THE INTERLOCATIVE -- NOTES -- REFERENCES -- 2. Othello's Dance: Cultural Creativity and Human Agency -- OTHELLO -- DRAMATIC EMBODIMENT -- THE PROPHET -- CREATIVITY AND AGENCY -- NOTES -- REFERENCES -- 3. The Iron Cage of Creativity: An Exploration -- WHY CREATIVITY? -- WHAT ARE WE TALKING ABOUT? -- STRUCTURE AND FORM -- THE IRON CAGE:THE CONSTRAINTS ON CREATIVITY -- CONJUNCTIVE EXPERIENCE AND THE ANTHROPOLOGY OF EXPERIENCE -- STRUCTURALISM AND EXPERIENCE -- GENERATIVITY AND EXISTENTIAL RESONANCE -- HAWAIIAN BRICOLAGE -- CONCLUSION -- NOTES -- REFERENCES -- 4. Wondering about Wutu -- CONCEPTUALIZING CREATIVITY -- IMPLICIT KNOWING -- THE POWER OF CONFORMITY -- CONCLUSION -- NOTES -- REFERENCES -- 5. Celebrating Creativity: On the Slanting of a Concept -- THE AGE OF CREATIVITY? -- THE MAKING OF A COUNTER-ARGUMENT -- CREATIVE CULTURES -- THE AESTHETICS OF EVERYDAY LIFE -- LOCATING CREATIVITY -- NOTES -- REFERENCES.
6. The Construction of Authenticity: The Case of Subcultures -- THE SEARCH FOR AUTHENTICITY -- THE CASE OF SUBCULTURES -- CONCLUSION -- REFERENCES -- PART II: LOCALIZED CREATIVE PROCESSES -- 7. Nationalism, Football and Polo: Tradition and Creolization in the Making of Modern Argentina -- DEFENDING TRADITION:THE LANGUAGE OF NATIONALISM -- CREOLIZATION AND TRADITION IN THE SOCIAL WORLD OF FOOTBALL -- TRADITION AND CREOLIZATION IN THE SOCIAL WORLD OF POLO -- CONCLUSION -- NOTES -- REFERENCES -- 8. The 'Playing' of Music in a State of Crisis: Gender and Raï Music in Algeria -- INTRODUCTION -- RAÏ HISTORY -- THE FORM OF RAÏ AND ITS SPHERE OF ORIGIN -- THE WEDDING PARTY -- PLAYING THE GAME OF RAÏ - LISTENING TO RECORDED SONGS -- PRIMARY SCENES OF REFERENCE -- EXPLORING A WIDER ARENA: RAÏ POETICS -- MUSIC IN RAÏ -- CONCLUSION -- NOTES -- REFERENCES -- 9. Creative Commoditization: The Social Life of Pharmaceuticals -- THE SOCIAL LIFE OF PHARMACEUTICALS: AN EXPOSITION -- THE MOTHER OF INVENTION: TOWARDS AN EXPLANATION -- MISTRUST AND INGENUITY -- WHOSE CREATIVITY? -- REFERENCES -- 10. Escaping Cultures: The Paradox of Cultural Creativity -- IDENTIFYING THE PARADOX -- THE ISLAMIC PROHIBITION ON THE REPRESENTATION OF LIVING THINGS: THE CASE OF ZANZIBAR -- TWO GENRES OF ART IN ZANZIBAR -- CONCLUSION -- REFERENCES -- 11. Recontextualizing Tradition: Religion, State and Tradition as Coexisting Modes of Sociality among the Northe -- 'RELIGION ','TRADITION ' AND 'GOVERNMENT ':CATEGORIES OF THE INDONESIAN NATION STATE -- THE NORTHERN LIO -- OUTSIDE FORCES 1: TACTICS OF 'RELIGION ' -- OUTSIDE FORCES 2: TACTICS OF THE STATE -- OUTSIDE FORCES 3: LIO STRATEGIES -- CONCLUDING REMARKS -- NOTES -- REFERENCES -- 12. Kula and Kabisawali: Contexts of Creativity in the Trobriand Islands -- ACCOMMODATING TRADITION:THE KULA -- WHEN CREATIVITY FAILS:THE KABISAWALI MOVEMENT.
CONCLUSION -- NOTES -- REFERENCES -- Contributors -- Index -- acculturation, -- 7 -- 27 -- action -- 38 -- 149 -- 160 -- political, 166 -- ritual, 25 -- social, 160 -- adat [tradition] -- 146 -- 148 -- 151 -- 153-6 -- Adie, J.J. 137 -- aesthetics -- 4 -- 5 -- 17 -- 133 -- 138 -- 142 -- of everyday life, 4 -- of everyday life, 46 -- of everyday life, 75-6 -- African sermonizers -- 24 -- 25 -- agency -- 31 -- 35 -- 39 -- 73 -- 120 -- and creativity, 41-3 -- and culture, 39 -- creative, 40 -- double agency, 35 -- social agency, 41 -- Alberdi, J.B. 95 -- Algeria -- 11 -- 106-16 -- Algerian youth 113 -- Oran, 106 -- analysis, symbolic 74 -- Anderson, B. 60 -- anthropology -- cognitive, 52-3 -- and linguistics, 52 -- gentrification of, 4-5 -- interpretive, 18 -- of experience, 50-3 -- symbolic, 18 -- theatre anthropology, 32-43 -- theoretical conventions, 25 -- Appadurai, A. -- 121-2 -- 122-3 -- 124-5 -- 127-28 -- Archetti, E. -- 9 -- 11 -- 38 -- 63 -- 98 -- 99 -- 100 -- Ardener, E. 40 -- Argentina -- 11 -- 38 -- 93-104 -- and national identity, 103 -- and national imagery, 104 -- and nationalism, 94-7 -- and the gaucho, 95 -- and the gaucho, 96-7 -- nationalism, 93-7 -- art -- 31 -- 34 -- 41 -- 47 -- 68 -- 81 -- 84 -- 87-8 -- 116 -- 130 -- 136 -- 138 -- 156 -- pictorial, in Islam, 136 -- Artaud, A. 37 -- Bahia 36 -- Barba, E. -- 33 -- 37 -- 39 -- Barnes, R.H. 149 -- Barnett, H.G. -- 6 -- 10 -- 12 -- 13 -- Barth, F. -- 8 -- 10 -- 32 -- 134 -- Barthes, R. 107 -- Barton, F.R. 137-8 -- Bateson, G. 107 -- Bauman, Z. 40 -- Becker, H.C. 86 -- Benedict, R. 40 -- biomedicine -- 120 -- 130 -- 131 -- Birungi, H. 128 -- Boden, M.A. -- 6 -- 7 -- Bohnsack, R. 52 -- Borofsky, R. -- 10 -- 11 -- 51 -- 63 -- Bourdieu, P. -- 32 -- 39 -- 107 -- bourgeoisie 5 -- Brannigan, A. 9 -- Brecht, B. 134 -- bricolage -- 11 -- 47 -- 54 -- 76.
Hawaiian, 55-9 -- bricoleur -- 72 -- 77 -- British -- in Argentina, 93 -- in Argentina, 97-9 -- colonialism, 137 -- landowners, 100 -- Buenos Aires -- 93 -- 103 -- candomblé -- 11 -- 33-6 -- 40 -- 43 -- capitalism -- 3 -- 5 -- 103 -- 135 -- 156 -- 159 -- capoeira -- 33 -- 35 -- cargo cult 49 -- Cartesianism 51 -- Catholicism -- 146 -- 147 -- 148 -- 155 -- centre-periphery -- 9 -- 27 -- 34 -- 164 -- 166 -- change -- 31 -- 69 -- 120 -- 130 -- 156-7 -- 161 -- cultural 144 -- political, 96 -- political, 163 -- social, 26 -- social, 88 -- social, 144 -- social, 155 -- social, 157 -- Chicago School of sociology 51 -- Christianity 55 -- civilized times 17-18 -- Clifford, J. -- 81 -- 84 -- 93 -- cognition 51 -- cognitive theory -- 22 -- and experiental images, 22 -- Cohen, A. 134 -- Cohen, S. 86-7 -- Cohen, S. and Young, J. 86 -- colonialism -- 24 -- 137 -- 156 -- 162 -- 164 -- combinatorics -- 48 -- 54 -- commoditization -- 4 -- 120 -- 123 -- 127 -- and creativity, 131 -- creative commoditization 119-31 -- mistrust and ingenuity, 127-30 -- conformity, power of 67-8 -- context analysis 52 -- conversation analysis 52 -- Cook, Captain see Hawaii cosmopolitanism 93 -- creative action -- 149 -- 163 -- creative anthropological argument 25-6 -- creative appropriation 163 -- creative commoditization 119-31 -- creative cultures 74-5 -- creative destruction -- 5-6 -- 156 -- creative experimentation 163 -- creative indigenization -- 102 -- 103 -- creative processes 78 -- creativity -- 1-2 -- 3 -- 4 -- 5 -- 9 -- 17 -- 31 -- 60 -- 130-1 -- 156 -- age of creativity, 71-2 -- and aesthetics, 75-6 -- and agency, 41-3 -- and argument of images, 10 -- and authenticity, 81-4 -- and bricolage, 11 -- and bricolage, 47 -- and bricolage, 54 -- and bricolage, 76 -- and Christmas, 71 -- and class, 75-6 -- and commoditization, 131 -- and consumption, 11.
and consumption, 27 -- and consumption, 72-4 -- and consumption, 133 -- and cultural analysis, 69 -- and development, 131 -- and development, 168 -- and discovery, 31 -- and domestic life, 75-6 -- and experience, 9 -- and experience, 50-2 -- and fashion, 5 -- and fashion, 27 -- and gender, 75-6 -- and homemaking, 75 -- and human agency, 26 -- and human agency, 31 -- and human agency, 42-3 -- and imagination, 145 -- and imagination, 146-7 -- and improvisation, 2 -- and improvisation, 160 -- and innovation, 2 -- and innovation, 8 -- and innovation, 106 -- and invention, 7 -- and invention, 11 -- and invention, 31-2 -- and invention, 125-7 -- and invention, 134 -- and modernity, 1 -- and modernity, 3-5 -- and modernity, 77 -- and motivation, 10 -- and newness, 31 -- and newness, 35 -- and newness, 37 -- and novelty, 7 -- and novelty, 24 -- and novelty, 31 -- and pharmaceuticals, 119-31 -- and poetry, 38 -- and political ethnicity, 134 -- and postmodernity, 12 -- and processes, 31 -- and social experience, 48 -- and strategies, 168-9 -- and structures of authorization and justification, 9-10 -- and the performative, 134 -- as a social process, 167 -- as counter-argument, 72-3 -- as metaphor, 17-18 -- as political, negotiated quality, 68 -- as resistance, 5 -- as resistance, 73 -- as resistance, 77 -- as resistance, 156 -- celebration of 71 -- collective 167 -- conceptualizing creativity, 63-4 -- conditions of, 7-9 -- constraints of 11 -- constraints of 49-50 -- contexts of 159 -- conventional creativity 12 -- conventional creativity 17 -- conventional creativity 23 -- defined, 2 -- defined, 27 -- defined, 32 -- defined, 46 -- defined, 48 -- defined, 62 -- defined, 68 -- defined, 106 -- defined, 145 -- discontinuous, 46 -- dynamic of the categorical, 21-4.
ethnographic creativity, 25-6.
Summary: Contributors explore the interconnectedness of culture and creativity in an increasingly hybrid world.
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Intro -- CONTENTS -- Acknowledgements -- Introduction -- MODERNITY,THE WORLD SYSTEM AND CREATIVITY -- CREATIVE DESTRUCTION -- MODES OF CREATIVITY -- METHODS OF CREATIVITY -- CONDITIONS OF CREATIVITY -- MOTIVATION AND EXPERIENCE -- CONTENT OF THE BOOK -- CONCLUSION -- NOTES -- REFERENCES -- PART I: CREATIVITY IN ACTION AND ANALYSIS -- 1. Creative Arguments of Images in Culture, and the Charnel House of Conventionality -- CIVILIZED TIMES,THEIR CONVENTIONS,THEIR 'JEU D 'ESPRIT ' AND THEIR LANGUAGE GAMES -- IF 'CHEMISTS HAVE THE SOLUTIONS ' WHO IS BEING CREATIVE HERE?? THE PLAY OF TROPES IN UNCONVENTIONAL CIRCUMSTANCES -- WHERE CREATIVITY LIES:THE STRUCTURE OF CREATIVE METAPHOR AND THE DYNAMIC OF THE CATEGORICAL -- AFRICAN SERMONIZERS:THE TRANSCENDENT (WORLD-SHAKING) IMPLICATIONS OF CREATIVE ARGUMENT -- CREATIVE ANTHROPOLOGICAL ARGUMENT IN IMAGES OF CULTURE -- CONCLUSION:THE LOCATIVE AND THE INTERLOCATIVE -- NOTES -- REFERENCES -- 2. Othello's Dance: Cultural Creativity and Human Agency -- OTHELLO -- DRAMATIC EMBODIMENT -- THE PROPHET -- CREATIVITY AND AGENCY -- NOTES -- REFERENCES -- 3. The Iron Cage of Creativity: An Exploration -- WHY CREATIVITY? -- WHAT ARE WE TALKING ABOUT? -- STRUCTURE AND FORM -- THE IRON CAGE:THE CONSTRAINTS ON CREATIVITY -- CONJUNCTIVE EXPERIENCE AND THE ANTHROPOLOGY OF EXPERIENCE -- STRUCTURALISM AND EXPERIENCE -- GENERATIVITY AND EXISTENTIAL RESONANCE -- HAWAIIAN BRICOLAGE -- CONCLUSION -- NOTES -- REFERENCES -- 4. Wondering about Wutu -- CONCEPTUALIZING CREATIVITY -- IMPLICIT KNOWING -- THE POWER OF CONFORMITY -- CONCLUSION -- NOTES -- REFERENCES -- 5. Celebrating Creativity: On the Slanting of a Concept -- THE AGE OF CREATIVITY? -- THE MAKING OF A COUNTER-ARGUMENT -- CREATIVE CULTURES -- THE AESTHETICS OF EVERYDAY LIFE -- LOCATING CREATIVITY -- NOTES -- REFERENCES.

6. The Construction of Authenticity: The Case of Subcultures -- THE SEARCH FOR AUTHENTICITY -- THE CASE OF SUBCULTURES -- CONCLUSION -- REFERENCES -- PART II: LOCALIZED CREATIVE PROCESSES -- 7. Nationalism, Football and Polo: Tradition and Creolization in the Making of Modern Argentina -- DEFENDING TRADITION:THE LANGUAGE OF NATIONALISM -- CREOLIZATION AND TRADITION IN THE SOCIAL WORLD OF FOOTBALL -- TRADITION AND CREOLIZATION IN THE SOCIAL WORLD OF POLO -- CONCLUSION -- NOTES -- REFERENCES -- 8. The 'Playing' of Music in a State of Crisis: Gender and Raï Music in Algeria -- INTRODUCTION -- RAÏ HISTORY -- THE FORM OF RAÏ AND ITS SPHERE OF ORIGIN -- THE WEDDING PARTY -- PLAYING THE GAME OF RAÏ - LISTENING TO RECORDED SONGS -- PRIMARY SCENES OF REFERENCE -- EXPLORING A WIDER ARENA: RAÏ POETICS -- MUSIC IN RAÏ -- CONCLUSION -- NOTES -- REFERENCES -- 9. Creative Commoditization: The Social Life of Pharmaceuticals -- THE SOCIAL LIFE OF PHARMACEUTICALS: AN EXPOSITION -- THE MOTHER OF INVENTION: TOWARDS AN EXPLANATION -- MISTRUST AND INGENUITY -- WHOSE CREATIVITY? -- REFERENCES -- 10. Escaping Cultures: The Paradox of Cultural Creativity -- IDENTIFYING THE PARADOX -- THE ISLAMIC PROHIBITION ON THE REPRESENTATION OF LIVING THINGS: THE CASE OF ZANZIBAR -- TWO GENRES OF ART IN ZANZIBAR -- CONCLUSION -- REFERENCES -- 11. Recontextualizing Tradition: Religion, State and Tradition as Coexisting Modes of Sociality among the Northe -- 'RELIGION ','TRADITION ' AND 'GOVERNMENT ':CATEGORIES OF THE INDONESIAN NATION STATE -- THE NORTHERN LIO -- OUTSIDE FORCES 1: TACTICS OF 'RELIGION ' -- OUTSIDE FORCES 2: TACTICS OF THE STATE -- OUTSIDE FORCES 3: LIO STRATEGIES -- CONCLUDING REMARKS -- NOTES -- REFERENCES -- 12. Kula and Kabisawali: Contexts of Creativity in the Trobriand Islands -- ACCOMMODATING TRADITION:THE KULA -- WHEN CREATIVITY FAILS:THE KABISAWALI MOVEMENT.

CONCLUSION -- NOTES -- REFERENCES -- Contributors -- Index -- acculturation, -- 7 -- 27 -- action -- 38 -- 149 -- 160 -- political, 166 -- ritual, 25 -- social, 160 -- adat [tradition] -- 146 -- 148 -- 151 -- 153-6 -- Adie, J.J. 137 -- aesthetics -- 4 -- 5 -- 17 -- 133 -- 138 -- 142 -- of everyday life, 4 -- of everyday life, 46 -- of everyday life, 75-6 -- African sermonizers -- 24 -- 25 -- agency -- 31 -- 35 -- 39 -- 73 -- 120 -- and creativity, 41-3 -- and culture, 39 -- creative, 40 -- double agency, 35 -- social agency, 41 -- Alberdi, J.B. 95 -- Algeria -- 11 -- 106-16 -- Algerian youth 113 -- Oran, 106 -- analysis, symbolic 74 -- Anderson, B. 60 -- anthropology -- cognitive, 52-3 -- and linguistics, 52 -- gentrification of, 4-5 -- interpretive, 18 -- of experience, 50-3 -- symbolic, 18 -- theatre anthropology, 32-43 -- theoretical conventions, 25 -- Appadurai, A. -- 121-2 -- 122-3 -- 124-5 -- 127-28 -- Archetti, E. -- 9 -- 11 -- 38 -- 63 -- 98 -- 99 -- 100 -- Ardener, E. 40 -- Argentina -- 11 -- 38 -- 93-104 -- and national identity, 103 -- and national imagery, 104 -- and nationalism, 94-7 -- and the gaucho, 95 -- and the gaucho, 96-7 -- nationalism, 93-7 -- art -- 31 -- 34 -- 41 -- 47 -- 68 -- 81 -- 84 -- 87-8 -- 116 -- 130 -- 136 -- 138 -- 156 -- pictorial, in Islam, 136 -- Artaud, A. 37 -- Bahia 36 -- Barba, E. -- 33 -- 37 -- 39 -- Barnes, R.H. 149 -- Barnett, H.G. -- 6 -- 10 -- 12 -- 13 -- Barth, F. -- 8 -- 10 -- 32 -- 134 -- Barthes, R. 107 -- Barton, F.R. 137-8 -- Bateson, G. 107 -- Bauman, Z. 40 -- Becker, H.C. 86 -- Benedict, R. 40 -- biomedicine -- 120 -- 130 -- 131 -- Birungi, H. 128 -- Boden, M.A. -- 6 -- 7 -- Bohnsack, R. 52 -- Borofsky, R. -- 10 -- 11 -- 51 -- 63 -- Bourdieu, P. -- 32 -- 39 -- 107 -- bourgeoisie 5 -- Brannigan, A. 9 -- Brecht, B. 134 -- bricolage -- 11 -- 47 -- 54 -- 76.

Hawaiian, 55-9 -- bricoleur -- 72 -- 77 -- British -- in Argentina, 93 -- in Argentina, 97-9 -- colonialism, 137 -- landowners, 100 -- Buenos Aires -- 93 -- 103 -- candomblé -- 11 -- 33-6 -- 40 -- 43 -- capitalism -- 3 -- 5 -- 103 -- 135 -- 156 -- 159 -- capoeira -- 33 -- 35 -- cargo cult 49 -- Cartesianism 51 -- Catholicism -- 146 -- 147 -- 148 -- 155 -- centre-periphery -- 9 -- 27 -- 34 -- 164 -- 166 -- change -- 31 -- 69 -- 120 -- 130 -- 156-7 -- 161 -- cultural 144 -- political, 96 -- political, 163 -- social, 26 -- social, 88 -- social, 144 -- social, 155 -- social, 157 -- Chicago School of sociology 51 -- Christianity 55 -- civilized times 17-18 -- Clifford, J. -- 81 -- 84 -- 93 -- cognition 51 -- cognitive theory -- 22 -- and experiental images, 22 -- Cohen, A. 134 -- Cohen, S. 86-7 -- Cohen, S. and Young, J. 86 -- colonialism -- 24 -- 137 -- 156 -- 162 -- 164 -- combinatorics -- 48 -- 54 -- commoditization -- 4 -- 120 -- 123 -- 127 -- and creativity, 131 -- creative commoditization 119-31 -- mistrust and ingenuity, 127-30 -- conformity, power of 67-8 -- context analysis 52 -- conversation analysis 52 -- Cook, Captain see Hawaii cosmopolitanism 93 -- creative action -- 149 -- 163 -- creative anthropological argument 25-6 -- creative appropriation 163 -- creative commoditization 119-31 -- creative cultures 74-5 -- creative destruction -- 5-6 -- 156 -- creative experimentation 163 -- creative indigenization -- 102 -- 103 -- creative processes 78 -- creativity -- 1-2 -- 3 -- 4 -- 5 -- 9 -- 17 -- 31 -- 60 -- 130-1 -- 156 -- age of creativity, 71-2 -- and aesthetics, 75-6 -- and agency, 41-3 -- and argument of images, 10 -- and authenticity, 81-4 -- and bricolage, 11 -- and bricolage, 47 -- and bricolage, 54 -- and bricolage, 76 -- and Christmas, 71 -- and class, 75-6 -- and commoditization, 131 -- and consumption, 11.

and consumption, 27 -- and consumption, 72-4 -- and consumption, 133 -- and cultural analysis, 69 -- and development, 131 -- and development, 168 -- and discovery, 31 -- and domestic life, 75-6 -- and experience, 9 -- and experience, 50-2 -- and fashion, 5 -- and fashion, 27 -- and gender, 75-6 -- and homemaking, 75 -- and human agency, 26 -- and human agency, 31 -- and human agency, 42-3 -- and imagination, 145 -- and imagination, 146-7 -- and improvisation, 2 -- and improvisation, 160 -- and innovation, 2 -- and innovation, 8 -- and innovation, 106 -- and invention, 7 -- and invention, 11 -- and invention, 31-2 -- and invention, 125-7 -- and invention, 134 -- and modernity, 1 -- and modernity, 3-5 -- and modernity, 77 -- and motivation, 10 -- and newness, 31 -- and newness, 35 -- and newness, 37 -- and novelty, 7 -- and novelty, 24 -- and novelty, 31 -- and pharmaceuticals, 119-31 -- and poetry, 38 -- and political ethnicity, 134 -- and postmodernity, 12 -- and processes, 31 -- and social experience, 48 -- and strategies, 168-9 -- and structures of authorization and justification, 9-10 -- and the performative, 134 -- as a social process, 167 -- as counter-argument, 72-3 -- as metaphor, 17-18 -- as political, negotiated quality, 68 -- as resistance, 5 -- as resistance, 73 -- as resistance, 77 -- as resistance, 156 -- celebration of 71 -- collective 167 -- conceptualizing creativity, 63-4 -- conditions of, 7-9 -- constraints of 11 -- constraints of 49-50 -- contexts of 159 -- conventional creativity 12 -- conventional creativity 17 -- conventional creativity 23 -- defined, 2 -- defined, 27 -- defined, 32 -- defined, 46 -- defined, 48 -- defined, 62 -- defined, 68 -- defined, 106 -- defined, 145 -- discontinuous, 46 -- dynamic of the categorical, 21-4.

ethnographic creativity, 25-6.

Contributors explore the interconnectedness of culture and creativity in an increasingly hybrid world.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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