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Mediating Indianness.

By: Material type: TextTextSeries: American Indian StudiesPublisher: East Lansing : Michigan State University Press, 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (349 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781609174361
Subject(s): Genre/Form: Additional physical formats: Print version:: Mediating IndiannessDDC classification:
  • 791.4
LOC classification:
  • P94
Online resources:
Contents:
Intro -- Contents -- Preface -- Part One. Transethnicity/Transculturality and Protest in Historical Contexts -- Billy J. Stratton, "You Have Liberty to Return to Your Own Country": Tecumseh, Myth, and the Rhetoric of Native Sovereignty -- Sonja Georgi, "IndiVisible" Identities: Mediating Native American and African American Encounters and Transethnic Identity in A Thrilling Sketch of the Life of Okah Tubbee -- Cathy Covell Waegner, "Buffalo Bill Takes a Scalp": Mediated Transculturality on Both Sides of the Atlantic with William F. Cody's Wild West, from Show to Hollywood and YouTube -- A. Robert Lee, Native Postmodern? Remediating History in the Fiction of Stephen Graham Jones and D. L. Birchfield -- A. Robert Lee, Flight Times in Gerald Vizenor's Blue Ravens: White Earth Mediating History -- Part Two. (Trans)media Literacy, Youth Cultures, and Nation -- Ellen Cushman, ᏣᎳᎩ ᏗᎪᏪᎵ Cherokee Writing: Mediating Traditions, Codifying Nation -- Chris LaLonde, "We Can Tell Our Own History, We Can Tell Our Own Future": Quese IMC, Culture Shock Camp, and an Indigenous Hip-Hop Movement -- Christine Plicht, Jim Jarmusch's Dead Man Revisited: Still Thwarting All Cultural and Cinematic Notions of Alterity -- Ludmila Martanovschi, Mediating the Native Gaze: The American Indian Youth's Cinematic Presence in Chris Eyre's Films -- Kimberly Blaeser, Refraction and Helio-tropes: Native Photography and Visions of Light -- Interlude -- Evelina Zuni Lucero, RefleXions: A Creative Essay -- Jane Haladay, Festa de Sant Joan: June 23, 2012, Barcelona, Spain -- Part Three. Performance, Gender, and Cultural Capital -- Sally McBeth, "The Bear Is Our Protector": Metaphor and Mediation in the Northern Ute (Nuche) Bear Dance -- Nicholle Dragone, Eric Gansworth's Theatrical Productions: "Indianness" Mediated through the Juxtaposition of Cultural Capital and Performance.
John Purdy, Eric Gansworth's Re-Creation Story: Mediation and Remediation -- Kerstin Schmidt, Mobile Indians: Capitalism, the Performance of Mobility, and the Mediation of Place in Minda Martin's Documentary Free Land -- Part Four. "Crow Commons": Creative Correspondences and Virtual Affiliations -- Kimberly Blaeser, Jane Haladay, Gordon Henry Jr., Molly McGlennen, and Jesse Peters, An Exposition of Virtual Exchanges -- Gerald Vizenor, Envoy: Response to "Crow Commons" -- Notes on Contributors.
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Intro -- Contents -- Preface -- Part One. Transethnicity/Transculturality and Protest in Historical Contexts -- Billy J. Stratton, "You Have Liberty to Return to Your Own Country": Tecumseh, Myth, and the Rhetoric of Native Sovereignty -- Sonja Georgi, "IndiVisible" Identities: Mediating Native American and African American Encounters and Transethnic Identity in A Thrilling Sketch of the Life of Okah Tubbee -- Cathy Covell Waegner, "Buffalo Bill Takes a Scalp": Mediated Transculturality on Both Sides of the Atlantic with William F. Cody's Wild West, from Show to Hollywood and YouTube -- A. Robert Lee, Native Postmodern? Remediating History in the Fiction of Stephen Graham Jones and D. L. Birchfield -- A. Robert Lee, Flight Times in Gerald Vizenor's Blue Ravens: White Earth Mediating History -- Part Two. (Trans)media Literacy, Youth Cultures, and Nation -- Ellen Cushman, ᏣᎳᎩ ᏗᎪᏪᎵ Cherokee Writing: Mediating Traditions, Codifying Nation -- Chris LaLonde, "We Can Tell Our Own History, We Can Tell Our Own Future": Quese IMC, Culture Shock Camp, and an Indigenous Hip-Hop Movement -- Christine Plicht, Jim Jarmusch's Dead Man Revisited: Still Thwarting All Cultural and Cinematic Notions of Alterity -- Ludmila Martanovschi, Mediating the Native Gaze: The American Indian Youth's Cinematic Presence in Chris Eyre's Films -- Kimberly Blaeser, Refraction and Helio-tropes: Native Photography and Visions of Light -- Interlude -- Evelina Zuni Lucero, RefleXions: A Creative Essay -- Jane Haladay, Festa de Sant Joan: June 23, 2012, Barcelona, Spain -- Part Three. Performance, Gender, and Cultural Capital -- Sally McBeth, "The Bear Is Our Protector": Metaphor and Mediation in the Northern Ute (Nuche) Bear Dance -- Nicholle Dragone, Eric Gansworth's Theatrical Productions: "Indianness" Mediated through the Juxtaposition of Cultural Capital and Performance.

John Purdy, Eric Gansworth's Re-Creation Story: Mediation and Remediation -- Kerstin Schmidt, Mobile Indians: Capitalism, the Performance of Mobility, and the Mediation of Place in Minda Martin's Documentary Free Land -- Part Four. "Crow Commons": Creative Correspondences and Virtual Affiliations -- Kimberly Blaeser, Jane Haladay, Gordon Henry Jr., Molly McGlennen, and Jesse Peters, An Exposition of Virtual Exchanges -- Gerald Vizenor, Envoy: Response to "Crow Commons" -- Notes on Contributors.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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