Visualities : Perspectives on Contemporary American Indian Film and Art.

Intro -- Contents -- Acknowledgments -- Preface -- Introduction: Indigenous Visualities -- Part One: Indigenous Film Practices -- Visual Prophecies: Imprint and It Starts with a Whisper - Michelle H. Raheja -- Indians Watching Indians on TV: Native Spectatorship and the Politics of Recognition in Skins and Smoke Signals - Joanna Hearne -- Sherman Shoots Alexie: Working with and without Reservation(s) inThe Business of Fancydancing - Theo. Van Alst -- Elusive Identities: Representations of Native Latin America in the Contemporary Film Industry - Rocío Quispe-Agnoli -- Condolence Tropes and Haudenosaunee Visuality: It Starts with a Whisper and Mohawk Girls - Penelope Myrtle Kelsey -- Videographic Sovereignty: Hulleah J. Tsinhnahjinnie's Aboriginal World View - Joseph Bauerkemper -- Part Two: Contemporary American Indian Art -- Indigenous Semiotics and Shared Modernity - Dean Rader -- Seeing Memory, Storying Memory: Printup Hope, Rickard, Gansworth - Susan Bernardin -- Aboriginal Beauty and Self-Determination: Hulleah Tsinhnahjinnie's Photographic Projects - Cynthia Fowler -- Text-Messaging Prayers: George Longfish and His Art of Communication - Molly McGlennen -- Contributors -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.