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The Visual in Performance Practice.

By: Contributor(s): Material type: TextTextPublisher: Boston : BRILL, 2020Copyright date: ©2011Edition: 1st edDescription: 1 online resource (185 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781848880665
Subject(s): Genre/Form: Additional physical formats: Print version:: The Visual in Performance PracticeDDC classification:
  • 700.6
LOC classification:
  • N21 -- .V578 2012eb
Online resources:
Contents:
Intro -- The Visual in Performance Practice: Interdisciplinary Perspectives -- Table of Contents -- Introduction -- Part 1: Image, Illusion and Reality: Objects in New Contexts -- The Reality of Illusion made Apparent through the Verity of Theatre -- The Semiotics of Images in Romeo Castellucci's Theatre -- Exploding Contexts -- In Front of Meaning: Revisiting Surfaces after Nietzsche's Corpus -- Part 2: Spatial Imagery and Visuality: The Seen and the Unseen -- A Space within a Space: Contemporary Scenographic Approaches in Historical Theatrical Spaces -- Theatre for All: The Scenic Contraption in the Work of O Bando -- Spatial Imagery: Visualization Strategies in Two Dance Performances of Romeo and Juliet -- Phantoms, Phantasms and Fantasies of Beckett's Tramps and Ashfaq Ahmed's Pakhiwaars: Game of the Seen and the Unseen in East and West -- Part 3: Identity and Characterisation: Performing Bodies -- The Identity-Character Crisis in Greek Theater and Its Repercussion in Costume Design -- Something Rich and Strange: Drawing a Visual Narrative from the Text -- The Pain is Visible: Presence in Pain in the Aesthetics of Pina Bausch and in Buddhist Teachings -- Disability Performance: Emancipating the Spectators -- Dreams of Djinni and Djuna: Eisenhauer -- Part 4: Persons and Objects: Performing Technologies -- The Gaze of the Other: Mask and Recognition in Greek Drama -- Personhood and the Allure of the Object -- From Assistant to Performer: The Changing Role of Technologies in Digital Dance -- Time of Flight: Biodigital Feedback and Performance Design.
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Intro -- The Visual in Performance Practice: Interdisciplinary Perspectives -- Table of Contents -- Introduction -- Part 1: Image, Illusion and Reality: Objects in New Contexts -- The Reality of Illusion made Apparent through the Verity of Theatre -- The Semiotics of Images in Romeo Castellucci's Theatre -- Exploding Contexts -- In Front of Meaning: Revisiting Surfaces after Nietzsche's Corpus -- Part 2: Spatial Imagery and Visuality: The Seen and the Unseen -- A Space within a Space: Contemporary Scenographic Approaches in Historical Theatrical Spaces -- Theatre for All: The Scenic Contraption in the Work of O Bando -- Spatial Imagery: Visualization Strategies in Two Dance Performances of Romeo and Juliet -- Phantoms, Phantasms and Fantasies of Beckett's Tramps and Ashfaq Ahmed's Pakhiwaars: Game of the Seen and the Unseen in East and West -- Part 3: Identity and Characterisation: Performing Bodies -- The Identity-Character Crisis in Greek Theater and Its Repercussion in Costume Design -- Something Rich and Strange: Drawing a Visual Narrative from the Text -- The Pain is Visible: Presence in Pain in the Aesthetics of Pina Bausch and in Buddhist Teachings -- Disability Performance: Emancipating the Spectators -- Dreams of Djinni and Djuna: Eisenhauer -- Part 4: Persons and Objects: Performing Technologies -- The Gaze of the Other: Mask and Recognition in Greek Drama -- Personhood and the Allure of the Object -- From Assistant to Performer: The Changing Role of Technologies in Digital Dance -- Time of Flight: Biodigital Feedback and Performance Design.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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