Speaking and Semiology : Maurice Merleau-Ponty's Phenomenological Theory of Existential Communication.

Intro -- Introduction -- I. Existential Communication as Phenomenology -- 1. Existential Communication -- 1.1. The Philosophical School of Paris -- 1.2. The Return to Phenomena -- 2. The Apparent Antinomy of Existential Communication -- 2.1. Phenomenalism -- 2.2. Phenomenology -- 3. Communication as Existentialism -- 3.1. Existence as Indirect Communication -- 3.2. Existence as Direct Communication -- 3.3. Existence as Authentic and In-authentic Communication -- 3.4. Existence as Primordial Communication -- 4. Merleau-Ponty's Philosophy as Existential Phenomenology -- 4.1. Philosophy qua Philosophy -- 4.2. Merleau-Ponty's Method -- 4.3. Gesture: Communicating the Existential Phenomena -- II. Existential Phenomenology as Semiology -- 1. The Cartesian Dualism: Semiotic Phenomenalism -- 1.1. The Semiology of Charles Sanders Peirce -- 1.2. The Semiology of Charles W. Morris -- 1.3. The Semiology of C. K. Ogden and I. A. Richards -- 1.4. The Semiology of Bertrand Russell -- 2. Dualistic Synthesis: Semiotic Existentialism -- 2.1. The Semiology of Karl Jaspers -- 2.2. The Semiology of Martin Heidegger -- 2.3. The Semiology of Jean-Paul Sartre -- 3. Semiotic as Existential Phenomenology -- 3.1. Semiology as Problematic -- 3.2. The Semiology of Roland Barthes -- 3.3. The Semiology of Maurice Merleau-Ponty -- III. Perception: The Lived-Body Experience -- 1. The Primacy of Perception (Description) -- 1.1. Sensation -- 1.2. Intellection -- 1.3. Seeing -- 1.4. Other -- 1.5. Perception -- 1.6. Body -- 2. Radical Reflection as Gestalt -- 2.1. Epoché -- 2.2. Primordial Situation -- 2.3. Radical Gestalt -- 3. Radical Cogito -- 3.1. Pre-Conscious -- 3.2. Cogito -- 3.3. Intentionality -- IV. Expression: Existential Phenomenology as Speaking -- 1. Expression as Phenomena -- 2. Language -- 2.1. Silence -- 2.2. Chiasm -- 2.3. Film: A Semiotic Paradigm -- 3. Tongue.

3.1. Literature -- 3.2. Myth -- 4. Speaking -- 4.1. The Speaking Subject -- 4.2. Speech: A Definition -- 4.3. Dialogue As Maieutic -- 4.4. Film : Maieutic Icon -- 4.5. Speaking As Maieutic -- V. Introduction to the Prose of the World -- Bibliography -- I. Primary Sources -- II. Secondary Sources -- III. Additional References -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.