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Debord, Time and Spectacle : Hegelian Marxism and Situationist Theory.

By: Material type: TextTextSeries: Historical Materialism Book SeriesPublisher: Boston : BRILL, 2017Copyright date: ©2018Edition: 1st edDescription: 1 online resource (442 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004356023
Subject(s): Genre/Form: Additional physical formats: Print version:: Debord, Time and SpectacleLOC classification:
  • H61 .B869 2017
Online resources:
Contents:
Intro -- ‎Contents -- ‎Acknowledgements -- ‎List of Illustrations -- ‎Introduction. Radioactivity -- ‎Part 1. Subjectivity, Temporality and Spectacle -- ‎Chapter 1. Interpreting the Theory of Spectacle -- ‎Chapter 2. Five Aspects of Debord's Theoretical Work -- ‎Part 2. The New Beauty 1951-62 -- ‎Chapter 3. 'We are Artists Insofar as We are No Longer Artists' -- ‎Chapter 4. The Everyday and the Absolute -- ‎Chapter 5. 'Avant-Gardes Have Only One Time' -- ‎Part 3. 'Everything That Had Formerly been Absolute Became Historical' -- ‎Chapter 6. Debord and French Hegelianism -- ‎Chapter 7. Subjects and Objects: Debord, Lukács and the Young Marx -- ‎Chapter 8. Life and Non-life -- ‎Part 4. In Pursuit of the Northwest Passage 1963-73 -- ‎Chapter 9. Never Work! -- ‎Chapter 10. 'I am Nothing and I Should be Everything' -- ‎Chapter 11. The 'Fetishism of Capital' -- ‎Part 5. The Integrated Spectacle 1974-94 -- ‎Chapter 12. Moving with History's 'Bad Side' -- ‎Chapter 13. Strategy and Tactics in the Integrated Spectacle -- ‎Chapter 14. The Knight, Death and the Devil -- ‎Bibliography -- ‎Index.
Summary: Debord, Time and Spectacle addresses the philosophical content of Guy Debord and the Situationists' work. It reconstructs the Hegelian and Marxian elements of Debord's theory of 'spectacle', and presents a critical reading that foregrounds his concerns with time and history.
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Intro -- ‎Contents -- ‎Acknowledgements -- ‎List of Illustrations -- ‎Introduction. Radioactivity -- ‎Part 1. Subjectivity, Temporality and Spectacle -- ‎Chapter 1. Interpreting the Theory of Spectacle -- ‎Chapter 2. Five Aspects of Debord's Theoretical Work -- ‎Part 2. The New Beauty 1951-62 -- ‎Chapter 3. 'We are Artists Insofar as We are No Longer Artists' -- ‎Chapter 4. The Everyday and the Absolute -- ‎Chapter 5. 'Avant-Gardes Have Only One Time' -- ‎Part 3. 'Everything That Had Formerly been Absolute Became Historical' -- ‎Chapter 6. Debord and French Hegelianism -- ‎Chapter 7. Subjects and Objects: Debord, Lukács and the Young Marx -- ‎Chapter 8. Life and Non-life -- ‎Part 4. In Pursuit of the Northwest Passage 1963-73 -- ‎Chapter 9. Never Work! -- ‎Chapter 10. 'I am Nothing and I Should be Everything' -- ‎Chapter 11. The 'Fetishism of Capital' -- ‎Part 5. The Integrated Spectacle 1974-94 -- ‎Chapter 12. Moving with History's 'Bad Side' -- ‎Chapter 13. Strategy and Tactics in the Integrated Spectacle -- ‎Chapter 14. The Knight, Death and the Devil -- ‎Bibliography -- ‎Index.

Debord, Time and Spectacle addresses the philosophical content of Guy Debord and the Situationists' work. It reconstructs the Hegelian and Marxian elements of Debord's theory of 'spectacle', and presents a critical reading that foregrounds his concerns with time and history.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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