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British Literature and Classical Music : Cultural Contexts 1870-1945.

By: Material type: TextTextSeries: Historicizing Modernism SeriesPublisher: London : Bloomsbury Publishing Plc, 2017Copyright date: ©2015Edition: 1st edDescription: 1 online resource (273 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474235839
Subject(s): Genre/Form: Additional physical formats: Print version:: British Literature and Classical MusicDDC classification:
  • 820.9357809034
LOC classification:
  • PR461 .D488 2015
Online resources:
Contents:
FC -- Half title -- Historicizing Modernism -- Title -- Copyright -- Contents -- Series Editors' Preface -- Acknowledgments -- Introduction: Approaches to classical music in British literature, 1870-1945: Theory and practice -- 1 The liberalization of music in aesthetic literature: Pater and Oxford -- 2 Modernism's distinctive musical rhetoric: Eliot, Huxley, and Woolf -- 3 The musical refinement of society's margins: Bennett, Burke, Lawrence, and their contemporaries -- 4 Distinguishing a musical homoeroticism: Pater, Forster, and their aesthetic descendants -- 5 Classical music, cosmopolitanism, and war: From authors to audiences -- Conclusion: A literary coda: Classical music in British literature -- Works Cited -- Index.
Summary: British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to ? British life.
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FC -- Half title -- Historicizing Modernism -- Title -- Copyright -- Contents -- Series Editors' Preface -- Acknowledgments -- Introduction: Approaches to classical music in British literature, 1870-1945: Theory and practice -- 1 The liberalization of music in aesthetic literature: Pater and Oxford -- 2 Modernism's distinctive musical rhetoric: Eliot, Huxley, and Woolf -- 3 The musical refinement of society's margins: Bennett, Burke, Lawrence, and their contemporaries -- 4 Distinguishing a musical homoeroticism: Pater, Forster, and their aesthetic descendants -- 5 Classical music, cosmopolitanism, and war: From authors to audiences -- Conclusion: A literary coda: Classical music in British literature -- Works Cited -- Index.

British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to ? British life.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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