Music, Art and Performance from Liszt to Riot Grrrl : The Musicalization of Art.

Cover page -- Halftitle page -- Title page -- Copyright page -- Dedication -- Contents -- List of Plates and Figures -- List of Contributors -- Acknowledgements -- Introduction A Work in Two Parts - Continuities and Discontinuities from Romanticism to Postmodernism -- From Romanticism . . . -- Romanticism into modernism -- . . . To postmodernism -- Contributors to this field -- Themes and interests -- About this book -- Notes -- Prelude The Musical in Art -- Notes -- The Musicalization of Art, Part 1: Spaces of Intimacy, Touch and Temporality -- 1 Romantic Musical Celebrity and Printed Portraits Visual Intimacy and Mass-Market Distance -- 1. Iconological nominalism -- 2. Synaesthesic awareness -- 3. The 'physiognomic paradox' of portraits -- Notes -- 2 Making an Entrance Manet's Still Life with Hat and Guitar -- Touch in painting and music -- Painting and performance -- Imitation in painting and music -- Realism in Courbet and Manet -- Time in painting and music -- Conclusion -- Notes -- 3 Time in Fin-de-Siècle Painting -- Paul Signac -- Alphonse Osbert -- Františ ek Kupka -- Conclusion -- Notes -- 4 Erik Satie and the Interart Genre -- Nomenclature: the interart designation -- Artistic materials: image, music and text -- Representation and the compositional process -- Unity and the concepts of time and space -- Conclusion -- Notes -- 5 The 'Figure in the Carpet' M. K. Čiurlionis and the Synthesis of the Arts -- The 'universal music' of the arts -- The composer and painter M. K. Čiurlionis -- The motif of 'ascension': Čiurlionis, Ivanov and the theosophical doctrine -- Čiurlionis, Scriabin and Ivanov's notion of the synthesis of the arts -- The flight into the fourth dimension -- Notes -- The Musicalization of Art, Part 2: Spaces of Performance, Sound and Silence.

6 Music, Sound and Light Embodied Experiences of the Modernist and Postmodern Gesamtkunstwerk -- Nietzsche's Schein -- Vienna's Gesamtkunstwerk -- Landscape: the elemental forces in Wagner's and Eliasson's work -- Challenging the binaries of time and space -- Framing the postmodern artwork: the Turbine Hall as Wagnerian space -- The postmodern Gesamtkunstwerk - The Weather Project -- Sensing and sounding -- In conclusion - Wagnerian aesthetics through time and space -- Notes -- 7 Squaring the Circle Wilfred's Lumia and his Rejection of 'Colour Music' -- Notes -- 8 In Concert The Emergence of the Audio-Visual Moment in Minimalism -- Cage and minimalism -- Characterizing 'minimal' art and music -- Notes -- 9 Riffing the Index Romare Bearden and the Hand of Jazz -- Improvising within the veil -- Riffing the Index -- The art of the 'cut' -- Notes -- 10 The Politics of Music and Image in Contemporary Iranian Art 'The Impossibility of Putting One's Body and Voice on a Stage'1 -- Listen (2010) -- Women and music in Islam -- Women's music festivals -- Conclusion -- Notes -- 11 Contemporary Feminist Art, the Musical Listening to the Visual Legacy of Riot Grrrl -- Early Riot Grrrl -- Miranda July -- The voice in Second Wave feminism -- Influences -- Wynne Greenwood -- Pussy Riot -- Notes -- Postlude -- Notes -- Bibliography -- Index -- Plates.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.