Evading the Issue : Hollywood and the Social Problem Film.

By:

Field, Amanda J

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781909183780

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Print version:: Evading the IssueDDC classification:

791.4301

LOC classification:

PN1995 -- .F54 2015eb

Online resources:

Click to View

Contents:

Cover -- Contents -- Front Matter -- Title Page -- Publisher Information -- Evading the Issue -- Hollywood and the Social Problem Film -- Additional Media -- Illustrations -- Back Matter -- Bibliography -- Filmography -- Also Available.

Summary: Tino Balio, in his book The American Film Industry, said that the Production Code meant that American films could not deal with political or social issues 'in an honest and truthful fashion'. This incisive essay tests out the legitimacy of Balio's claims, using The Lost Weekend (directed by Billy Wilder, 1945) as an example of the Hollywood 'problem film'. Rather than treating the film as being an entity with a single, unchanging meaning, it is put into its historical and social context, in particular the commercial context within which the studios were working. The commercial imperatives hardly sat well with the reality of a social problem such as alcoholism and this essay reminds us that the prime aim of the industry was to entertain: many of these 'problem films', therefore, were as honest and truthful within these confines as it was possible to be.

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Tino Balio, in his book The American Film Industry, said that the Production Code meant that American films could not deal with political or social issues 'in an honest and truthful fashion'. This incisive essay tests out the legitimacy of Balio's claims, using The Lost Weekend (directed by Billy Wilder, 1945) as an example of the Hollywood 'problem film'. Rather than treating the film as being an entity with a single, unchanging meaning, it is put into its historical and social context, in particular the commercial context within which the studios were working. The commercial imperatives hardly sat well with the reality of a social problem such as alcoholism and this essay reminds us that the prime aim of the industry was to entertain: many of these 'problem films', therefore, were as honest and truthful within these confines as it was possible to be.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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