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Shakespeare and Tyranny : Regimes of Reading in Europe and Beyond.

By: Contributor(s): Material type: TextTextPublisher: Newcastle-upon-Tyne : Cambridge Scholars Publishing, 2014Copyright date: ©2014Edition: 1st edDescription: 1 online resource (287 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781443867702
Subject(s): Genre/Form: Additional physical formats: Print version:: Shakespeare and TyrannyDDC classification:
  • 822.33
LOC classification:
  • PR2971.E85 -- .S535 2014eb
Online resources:
Contents:
Intro -- CONTENTS -- INTRODUCTION -- CHAPTER ONE -- CHAPTER TWO -- CHAPTER THREE -- CHAPTER FOUR -- CHAPTER FIVE -- CHAPTER SIX -- CHAPTER SEVEN -- CHAPTER EIGHT -- CHAPTER NINE -- CHAPTER TEN -- CHAPTER ELEVEN -- CHAPTER TWELVE -- CHAPTER THIRTEEN -- NOTES ON CONTRIBUTORS.
Summary: This book brings together a selection of essays on the reception and dissemination of Shakespeare's plays in England and beyond from the 17th century to the present. Written from the perspective of a nation or cluster of nations in which Shakespeare has been used either to reflect, legitimize or challenge different versions of authoritarian rule, each of the chapters offers a picture of Shakespeare as unwitting commentator on some of the most significant and unsettling political events in Europe and elsewhere. Illustrating and analyzing changing attitudes to Shakespeare and his work in various tyrannical and post-tyrannical contexts in both Western and Eastern Europe, North Africa and South America, the volume provides insights into issues like the role of censorship and self-censorship in the revision and production of Shakespearean material; institutional controls on the dissemination and publication of Shakespeare's work; assumptions and techniques in the staging of his plays; state intervention in the elaboration of a Shakespeare "canon"; the role of Shakespeare in the construction of identity under tyranny; and the pertinence or otherwise of the subversion/containment paradigm following events such as the collapse of communism and the so-called "Arab Spring".
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Intro -- CONTENTS -- INTRODUCTION -- CHAPTER ONE -- CHAPTER TWO -- CHAPTER THREE -- CHAPTER FOUR -- CHAPTER FIVE -- CHAPTER SIX -- CHAPTER SEVEN -- CHAPTER EIGHT -- CHAPTER NINE -- CHAPTER TEN -- CHAPTER ELEVEN -- CHAPTER TWELVE -- CHAPTER THIRTEEN -- NOTES ON CONTRIBUTORS.

This book brings together a selection of essays on the reception and dissemination of Shakespeare's plays in England and beyond from the 17th century to the present. Written from the perspective of a nation or cluster of nations in which Shakespeare has been used either to reflect, legitimize or challenge different versions of authoritarian rule, each of the chapters offers a picture of Shakespeare as unwitting commentator on some of the most significant and unsettling political events in Europe and elsewhere. Illustrating and analyzing changing attitudes to Shakespeare and his work in various tyrannical and post-tyrannical contexts in both Western and Eastern Europe, North Africa and South America, the volume provides insights into issues like the role of censorship and self-censorship in the revision and production of Shakespearean material; institutional controls on the dissemination and publication of Shakespeare's work; assumptions and techniques in the staging of his plays; state intervention in the elaboration of a Shakespeare "canon"; the role of Shakespeare in the construction of identity under tyranny; and the pertinence or otherwise of the subversion/containment paradigm following events such as the collapse of communism and the so-called "Arab Spring".

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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