ORPP logo
Image from Google Jackets

Film Landscapes : Cinema, Environment and Visual Culture.

By: Contributor(s): Material type: TextTextPublisher: Newcastle-upon-Tyne : Cambridge Scholars Publishing, 2013Copyright date: ©2014Edition: 1st edDescription: 1 online resource (249 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781443866316
Subject(s): Genre/Form: Additional physical formats: Print version:: Film LandscapesDDC classification:
  • 791.4301
LOC classification:
  • PN1995 -- .F556 2013eb
Online resources:
Contents:
Intro -- CONTENTS -- LIST OF ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION -- SECTION I: FILMED LANDSCAPES AND CINEMATIC IDENTITIES -- CHAPTER ONE - IN PRAISE OF THE INAUTHENTIC -- CHAPTER TWO - TERROR FIRMA -- CHAPTER THREE - COLONIAL DREAMS -- SECTION II: AUTHORED AND CONSTRUCTED LANDSCAPES -- CHAPTER FOUR - COUPLE WITH CLOUDS IN THEIR HEADS -- CHAPTER FIVE - LOOKING FOR SHELL BEACH -- CHAPTER SIX - LANDSCAPES OF DISASTER -- SECTION III: ABJECT, HORRIFIC AND SUBLIME LANDSCAPES -- CHAPTER SEVEN - AN AGE OF STUPID? -- CHAPTER EIGHT - LANDSCAPE, SPECTACLE AND SUBJECTIVITY -- CHAPTER NINE - LYNCHIAN LANDSCAPES AND THE LEGACY OF THE AMERICAN SUBLIME -- SECTION IV: COMMUNICABLE ENVIRONMENTS, CONTESTABLE SPACES -- CHAPTER TEN - FIGURING LANDSCAPES IN AUSTRALIAN ARTISTS' FILM AND VIDEO -- CHAPTER ELEVEN - THE ANIMATED LANDSCAPE -- CHAPTER TWELVE - "SHEFFIELD FILM STUDIES AND SHEFFIELD STUDIES FILM" -- POSTSCRIPT - SYNAPTIC LANDSCAPES -- FILMOGRAPHY -- BIBLIOGRAPHY.
Summary: This book brings together critical and theoretical essays examining the connections between films and landscapes. It showcases the work of established and emerging academics whose research probes the complex relationships between moving images and the filmed environment, and accounts for the impactful effects of viewing lived spaces and human places on screen. The essays in this collection actively engage with examples of contemporary popular and art cinema, genre films and auteur canon, his.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Intro -- CONTENTS -- LIST OF ILLUSTRATIONS -- CONTRIBUTORS -- INTRODUCTION -- SECTION I: FILMED LANDSCAPES AND CINEMATIC IDENTITIES -- CHAPTER ONE - IN PRAISE OF THE INAUTHENTIC -- CHAPTER TWO - TERROR FIRMA -- CHAPTER THREE - COLONIAL DREAMS -- SECTION II: AUTHORED AND CONSTRUCTED LANDSCAPES -- CHAPTER FOUR - COUPLE WITH CLOUDS IN THEIR HEADS -- CHAPTER FIVE - LOOKING FOR SHELL BEACH -- CHAPTER SIX - LANDSCAPES OF DISASTER -- SECTION III: ABJECT, HORRIFIC AND SUBLIME LANDSCAPES -- CHAPTER SEVEN - AN AGE OF STUPID? -- CHAPTER EIGHT - LANDSCAPE, SPECTACLE AND SUBJECTIVITY -- CHAPTER NINE - LYNCHIAN LANDSCAPES AND THE LEGACY OF THE AMERICAN SUBLIME -- SECTION IV: COMMUNICABLE ENVIRONMENTS, CONTESTABLE SPACES -- CHAPTER TEN - FIGURING LANDSCAPES IN AUSTRALIAN ARTISTS' FILM AND VIDEO -- CHAPTER ELEVEN - THE ANIMATED LANDSCAPE -- CHAPTER TWELVE - "SHEFFIELD FILM STUDIES AND SHEFFIELD STUDIES FILM" -- POSTSCRIPT - SYNAPTIC LANDSCAPES -- FILMOGRAPHY -- BIBLIOGRAPHY.

This book brings together critical and theoretical essays examining the connections between films and landscapes. It showcases the work of established and emerging academics whose research probes the complex relationships between moving images and the filmed environment, and accounts for the impactful effects of viewing lived spaces and human places on screen. The essays in this collection actively engage with examples of contemporary popular and art cinema, genre films and auteur canon, his.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

to post a comment.

© 2024 Resource Centre. All rights reserved.