ORPP logo
Image from Google Jackets

The Anthropology of Art : A Reader.

By: Material type: TextTextSeries: New York Academy of Sciences SeriesPublisher: Newark : John Wiley & Sons, Incorporated, 2006Copyright date: ©2006Edition: 1st edDescription: 1 online resource (576 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781405155328
Subject(s): Genre/Form: Additional physical formats: Print version:: The Anthropology of ArtDDC classification:
  • 709/.01/1
LOC classification:
  • N72.A56 A67 2006
Online resources:
Contents:
The Anthropology of Art -- Contents -- Acknowledgments -- About the Authors -- The Anthropology of Art: A Reflection on its History and Contemporary Practice -- Part I Foundations and Framing the Discipline -- 1 Primitive Art -- 2 Split Representation in the Art of Asia and America -- 3 Introduction to Tribes and Forms in African Art -- 4 Style, Grace, and Information in Primitive Art -- 5 Tikopia Art and Society -- 6 The Abelam Artist -- Part II Primitivism, Art, and Artifacts -- 7 Modernist Primitivism: An Introduction -- 8 Defective Affinities: ''Primitivism'' in 20th Century Art -- 9 Histories of the Tribal and the Modern -- 10 A Case in Point and Afterwords to Primitive Art in Civilized Places -- 11 Oriental Antiquities/Far Eastern Art -- 12 Introduction to Art/Artifact: African Art in Anthropology Collections -- 13 Vogel's Net: Traps as Artworks and Artworks as Traps -- Part III Aesthetics across Cultures -- 14 Yoruba Artistic Criticism -- 15 Style in Technology: Some Early Thoughts -- 16 ''Marvels of Everyday Vision'': The Anthropology of Aesthetics and the Cattle-keeping Nilotes -- 17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu -- Part IV Form, Style, and Meaning -- 18 Visual Categories: An Approach to the Study of Representational Systems -- 19 Structural Patterning in Kwakiutl Art and Ritual -- 20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks -- 21 All Things Made -- 22 Modernity and the ''Graphicalization'' of Meaning: New Guinea Highland Shield Design in Historical Perspective -- Part V Marketing Culture -- 23 Arts of the Fourth World -- 24 The Collecting and Display of Souvenir Arts: Authenticity and the ''Strictly Commercial'' -- 25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market -- Part VI Contemporary Artists.
26 A Second Reflection: Presence and Opposition in Contemporary Maori Art -- 27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings -- 28 Aesthetics and Iconography: An Artist's Approach -- 29 Kinds of Knowing -- 30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another -- Index.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

The Anthropology of Art -- Contents -- Acknowledgments -- About the Authors -- The Anthropology of Art: A Reflection on its History and Contemporary Practice -- Part I Foundations and Framing the Discipline -- 1 Primitive Art -- 2 Split Representation in the Art of Asia and America -- 3 Introduction to Tribes and Forms in African Art -- 4 Style, Grace, and Information in Primitive Art -- 5 Tikopia Art and Society -- 6 The Abelam Artist -- Part II Primitivism, Art, and Artifacts -- 7 Modernist Primitivism: An Introduction -- 8 Defective Affinities: ''Primitivism'' in 20th Century Art -- 9 Histories of the Tribal and the Modern -- 10 A Case in Point and Afterwords to Primitive Art in Civilized Places -- 11 Oriental Antiquities/Far Eastern Art -- 12 Introduction to Art/Artifact: African Art in Anthropology Collections -- 13 Vogel's Net: Traps as Artworks and Artworks as Traps -- Part III Aesthetics across Cultures -- 14 Yoruba Artistic Criticism -- 15 Style in Technology: Some Early Thoughts -- 16 ''Marvels of Everyday Vision'': The Anthropology of Aesthetics and the Cattle-keeping Nilotes -- 17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu -- Part IV Form, Style, and Meaning -- 18 Visual Categories: An Approach to the Study of Representational Systems -- 19 Structural Patterning in Kwakiutl Art and Ritual -- 20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks -- 21 All Things Made -- 22 Modernity and the ''Graphicalization'' of Meaning: New Guinea Highland Shield Design in Historical Perspective -- Part V Marketing Culture -- 23 Arts of the Fourth World -- 24 The Collecting and Display of Souvenir Arts: Authenticity and the ''Strictly Commercial'' -- 25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market -- Part VI Contemporary Artists.

26 A Second Reflection: Presence and Opposition in Contemporary Maori Art -- 27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings -- 28 Aesthetics and Iconography: An Artist's Approach -- 29 Kinds of Knowing -- 30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

to post a comment.

© 2024 Resource Centre. All rights reserved.